20 Best Xlr Microphone For Singing (2023 Updated)

The Shure SM7B Vocal Microphone is a dynamic microphone with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features a cardioid polar pattern, bass roll-off and midrange emphasis (presence boost) controls, and shielding against broadband interference.

An internal air suspension shock isolation helps to eliminate mechanical noise transmission and a yoke mount facilitates mounting and provides precise control of the mic position. The Cloudlifter CL-1 Mic Activator from Cloud Microphones is a compact, single-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbons.

The CL-1 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications.

The CL-1 is housed in a rugged steel enclosure which offers shielding and durability. Additionally, the CL-1 has provisions for stage or stand mounting.

The KMS 105 is an excellent vocal microphone that truly gives the Neumann Sound on stage. It excels as a live and studio microphone for speech, acoustic-stringed instruments and brass. Very high SPL capabilities, low handling noise, tight polar pattern, excellent feedback rejection, and uncolored off-axis response make this a professional choice that is easy to use and a pleasure to record with.

Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self-noise, and uncolored off-axis pickup, the KMS 105 complements in-ear monitor systems.

By employing a unique four-layer acoustic filter, the KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated.

The AKG C414 XLII is a versatile large-diaphragm condenser microphone of the reference class. It initially offers five polar patterns: omnidirectional, cardioid, wide cardioid, hypercardioid and figure-of-eight.

Additionally, 4 intermediate stages can be selected. The current setting is indicated by an LED. In addition, there are three pad circuits and three high-pass filters. With this great flexibility, the microphone can be perfectly adapted to different recording situations.

Its sound is open and high-resolution with a slight presence boost. This makes the AKG C414 XLII ideal for recording voices and solo instruments. The recordings already stand out well in the mix, even without intervention.

Quiet passages are recorded with transparency and nuance thanks to the extremely low self-noise. The high limiting sound pressure level also allows drum recordings. Especially the use as an overhead microphone or for snare and hi-hat is very useful.

The AKG C414 XLII is also suitable for demanding live applications. A lock mode prevents unintentional adjustment of the settings by a key lock. The Peak Hold LED reliably indicates overdrive of the electronics, even with the shortest signal peaks.

The microphone is supplied in a metal case with an elastic mount, pop screen, windscreen and dust protection bag. The AKG C414 XLII is also available as a specially matched stereo set.

The Shure SM 86 is a cardioid (uni-directional) condenser handheld microphone intended for use in sound-reinforcement and recording applications. The cardioid pattern is effective in reducing ambient, off-axis noise making it a suitable option for use near stage monitors, loud instruments etc.

The condenser element requires between 11 to 52 Volts DC phantom power and produces a sensitivity far greater than that of dynamic microphones. Condenser elements provide higher output levels, frequency response, and dynamic range resulting in studio-level sonic quality.

A built-in 3-stage shock-mount minimizes handling noise and an internal windscreen reduces noise caused by wind and breath sounds. It’s rugged metal construction is made to withstand the rigors of touring and daily use.

Condenser Transformer Condenser elements are more sensitive resulting in greater output level, frequency response and dynamics. 11 to 52 Vdc Phantom Power is required. Cardioid Pattern The Cardioid pattern reduces off-axis signal resulting in greater performance around stage monitors, loud instruments etc.

Internal Windscreen An internal windscreen reduces noise caused by wind and breath sounds. Internal Shock-Mount The element is protected with an internal shock-mount structure that also minimizes noise caused by handling.

With a wide frequency response of 30 Hz – 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the Audix D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.

Lightweight, compact, and easy to position, the D6 is characterized with a cardioid pickup pattern for isolation and feedback control and equipped with a VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance. The D6 includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector and is supplied with a tension-fit heavy duty nylon mic clip.

Designed, machined, assembled and tested by Audix, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications.

The Shure SM81 Condenser Mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. Its wide frequency response, low noise, low RF susceptibility, and rugged construction allow it to excel in all applications.

Furnished with swivel adapter, 10dB attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20Hz-20kHz response.

Building upon the technology found in the LCT 440 Pure, the Lewitt LCT 441 Flex is a multi-pattern condenser microphone with a 1″ capsule and switchable polar-pattern system. These polar patterns go beyond the traditional omnidirectional, figure-8, and cardioid offerings to give you eight options in total.

Not only do you get the aforementioned patterns, but you’re also able to switch among reverse cardioid, wide cardioid, reverse wide cardioid, supercardioid, and reverse supercardioid. The multitude of patterns offered in the LCT 441 Flex facilitates both expeditious employment and experimentation in the studio context.

Whether you use these patterns to mitigate the need for physical re-positioning between instruments, to alter the frequency response, to combat/emphasize the proximity effect, or to achieve an unconventional sound, you’ll find this microphone useful in recording all sorts of instruments.

Indeed, vocals, acoustic instruments, guitar amps, and percussion can all be captured. Use the left and right buttons provided on the microphone to choose among the patterns, then hold any key down for two seconds to lock the polar pattern in place.

Conversely, you can press the right button for five seconds to select a pattern randomly, which might aid in creative decision making. The microphone, which runs off 48V phantom power, comes with a shock mount to reduce unwanted structure-borne noise.

Also included is a magnetic pop filter that integrates with the design of the microphone to minimize plosives and hiss without noticeable effects on the rest of the frequency pickup. You also get a foam windscreen and a cushioned leatherette bag.

It includes a Shure Super 55 microphone with a zippered storage pouch an Auray IA-300 Stylus microphone stand and a premium XLR M to XLR F microphone cable. It can be used to capture audio in several applications for voice-overs interviews recordings live stage and more.

The Super 55 features the vintage design of the original iconic vocal microphone with a frequency response tailored for natural-sounding vocals and speech.

Choose from one of four Shure microphones in this flexible microphone bundle. Included with the microphone of your choice is everything you need to capture great vocal recordings: a mic stand, XLR cable and Tascam TH-200X Studio Headphones.

The TH-200X closed-back, mixing headphones are the latest addition to Tascam’s acclaimed line of headphones. These headphones are tailored perfectly for recording and mixing, but they also fit nicely into everyday music listening needs.

These headphones come in a black design and supply users with supreme audio quality, versatile fit and extreme comfort for long usage periods. Choose from one of the following mics: Shure SM81 Cardioid Condenser Microphone The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement.

Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. The SM81 is ruggedly constructed.

It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage.

Other accessories are available. Shure SM7B Cardioid Dynamic Microphone The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken word, but recording engineers have discovered that it’s also an exceptional mic for adding body to thin vocals and handling loud rock/metal singers.

It also has the ability to tame harsh or sibilant sounds from hi-hat, cymbals, and voice. The SM7B is highly shielded against electrical interference, and includes bass roll-off and mid-range emphasis (presence boost) controls with graphic display, and internal “air suspension” shock isolat Choose (1) Shure microphone Includes (1) Tascam TH-200X Studio Headphones Includes (1) mic stand Includes (1) XLR cable.

The Shure SM7B Vocal Microphone is a dynamic microphone with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features a cardioid polar pattern, bass roll-off and midrange emphasis (presence boost) controls, and shielding against broadband interference.

An internal air suspension shock isolation helps to eliminate mechanical noise transmission, and a yoke mount facilitates mounting and provides precise control of the mic position. Flat, Wide-Range Frequency Response The flat-frequency response enhances the midrange and high frequencies that are associated with the human voice.

Rejection of Electromagnetic Hum Improved rejection of electromagnetic hum—optimized for shielding against broadband interference emitted by computer monitors. Air Suspension Shock Isolation Internal air suspension shock isolation virtually eliminates mechanical noise transmission.

Pop Filter The detachable close-talk windscreen eliminates the need for any add-on protection against explosive breath sounds—even for close-up vocals or narration. Cardioid Polar Pattern Cardioid polar pattern effectively isolates signal source improving gain before feedback.

The Shure SM7B Vocal Microphone Bundle is a dynamic microphone with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features a cardioid polar pattern, bass roll-off and midrange emphasis (presence boost) controls, and shielding against broadband interference.

An internal air suspension shock isolation helps to eliminate mechanical noise transmission, and a yoke mount facilitates mounting and provides precise control of the mic position. The flat-frequency response enhances the midrange and high frequencies that are associated with the human voice.

Paired with the Cloudlifter CL-1 Mic Activator from Cloud Microphones is a compact, single-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbon mics.

The CL-1 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications.

Legendary Shure quality and reliability. Designed for professional vocal use in live performance, sound reinforcement, and studio recording. Frequency response (50 to 15,000 Hz) tailored for vocals, with brightened midrange and bass rolloff.

Dynamic cartridge with cardioid polar pattern. A highly effective, built-in spherical filter minimizes wind and breath pop noise. The legendary Shure Sm58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording.

Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath pop noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.

Lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection.

Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule. All parts and labor covered.

Featuring fine resolution and outstanding sound quality, the MK 4 mic provides excellent value for the price, making it an ideal choice for professional project studios and home recordists. The MK 4 also features a 1 true condenser capsule based on the acoustics of the e965 high-end vocal mic that’s optimized for recording.

This mic is made in Germany, its transducer is manufactured in the same Level 5 clean room (medical level) as all high-end Sennheiser condenser capsules. Item includes Sennheiser MK 4 microphone, MZQ 4 microphone clamp pouch, instruction manual.

Features large-diaphragm, side-address condenser microphone, cardioid pickup pattern, maximum sound pressure level of 140 dB. Designed with project studios in mind. Powerful warm sound.

Featuring the same K 47 capsule as the classic, highly desired U 47 and M 49 microphones, the Neumann TLM 49 large-diaphragm condenser mic provides the warm sonic signature of those tube mics along with reliable, low-noise FET circuitry and a clean, transformerless output.

By combining “old” sound with new technology, the TLM 49 serves as an ideal choice for vocalists, broadcasters, and producers who need a vintage tone they can depend on. The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, especially at high frequencies.

It yields a smooth frequency response throughout the lows and midrange; above 2 kHz there is a slight presence boost to impart a silky texture. As the mic receives high SPLs over 110 dB, it is designed to exude gentle saturation in the same way tube circuits do.

The TLM 49 is supplied with the EA 3 spider-style shockmount, which effectively protects the microphone from structure-borne noise. Vintage Tone with New Technology Many engineers long for the smooth sound of classic tube microphones of the 1950s.

Unfortunately, vintage originals come at staggering prices and are often in need of maintenance. For those who want a recording tool rather than a collector’s item, Neumann has developed an elegant solution, the TLM 49.

It combines the sonic excellence of Neumann’s legendary U 47 and M 49 microphones with the convenience and high reliability of an updated phantom-powered microphone. Its looks are classic, too. An M 49 for the New Age As the model number implies, the TLM 49 is inspired by its famous precursor, the legendary Neumann M 49, a microphone associated with countless jazz and pop recordings of the 1950s and ’60s.

The TLM 49 shares the same large, acoustically open headgrille and the same large diaphragm condenser capsule design. This classic K 47 capsule, renowned for its unsurpassed sonic elegance, was also used in the Neumann U 47, the vocal mic of choice for Frank Sinatra, the Beatles, and scores of famous artists up to the present day.

Re-Engineering the Past The main difference between the TLM 49 and its famous predecessors lies in its electronic circuit. Instead of electron tubes, the TLM 49’s head amplifier uses reliable transformerless solid-state FET technology, yet with a special sound design that closely reproduces the sonics of tube circuits.

For instance, the TLM 49 intentionally produces soft saturation at higher sound pressure levels, resulting in a seemingly low max SPL figure of 110 dB for 0. 5% THD, rising slowly to 5% at 129 dB SPL.

The TLM 49 thus captures the sound and dynamic behavior of its legendary precursors without the inconvenience of an external PSU or expensive tube replacements, yet with a substantially improved self-noise figure of only 12 dBA.

Applications The TLM 49 has a fixed cardioid pattern and is designed mainly as a microphone for vocalists, but its clear bass and superb midrange with a gentle presence boost above 2 kHz will produce excellent results with various instruments, too, such as acoustic guitar and upright bass.

Features Same capsule as legendary Neumann U 47 and M 49 microphones Cardioid polar pattern Classic sound for silky vocals Large, acoustically open headgrille Transformerless solid-state circuit with tube sound characteristics Very low self-noise (12 dBA) XLR 3-pin output connector 48V phantom powered Includes shockmount UPC: 615104085503.

The C 414 XL II condenser microphone is the successor to the famous C 414 B-TL II mic. The C 414 XL II mic shows the unique sonic signature of the highly sought after C 12 which enables lead vocals and solo instruments to be placed even in a dense mix.

The unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. The XL II mic version differs from the XLS version in one major respectthe capsule.

Both the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones. The C 414 XL II offers 9 pickup patterns for you to choose the perfect setting for every application.

For live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. A Peak-Hold LED displays even shortest overload peaks. For over 60 years, leading musicians and engineers have used legendary microphones to capture their sound so their audience hears every nuance.

The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers.

Roswell Mini K87 Condenser Microphone High Output / Gray Blue (standard) – The new Mini K87 is an all-purpose, do-anything studio microphone. It is neutrally voiced, but not without character. This mic is destined to become a go-to favorite on vocals, podcasting, drum overheads, percussion, guitars, and strings.

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The Neumann TLM102 is a cardioid patter, large diaphragm condenser microphone with the ability to withstand very high sound pressure levels. Although redesigned to provide a compact appearance, the microphone is still visually and practically a recognizable Neumann design.

The newly developed capsule with its high SPL rating permits the recording of percussion, drums, amplifiers and other very loud sound sources. The microphone is equally capable when recording lower volume sounds due to its very fast transient response.

However, its most important applications are in the realm of vocals and speech. A slight boost above 6 kHz provides for good vocal presence while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range.

The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording. The TLM102 is ideal for the home and project studio sector, as well as for broadcasting, especially when clear lines of sight to the speakers are a priority.

NT1-A 1″ Cardioid Condenser Microphone The RDE NT1-A 1″ cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones.

With a self-noise level of only 5dBA it is widely recognized (along with the NT1) as one the world’s quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.

Packaged in the ‘Complete Vocal Recording Solution’, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20′ microphone cable, dust cover, and an downloadable instructional video packed with recording tips.

SM6 shock mount The SM6 is a high-quality suspension shock mount that supports many RODE large-diaphragm microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone.

It includes a detachable pop filter with two axes of adjustment and a telescopic arm for ultimate versatility.

NT1-A 1″ Cardioid Condenser Microphone The RDE NT1-A 1″ cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones.

With a self-noise level of only 5dBA it is widely recognized (along with the NT1) as one the world’s quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.

Packaged in the ‘Complete Vocal Recording Solution’, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20′ microphone cable, dust cover, and an downloadable instructional video packed with recording tips.

SM6 shock mount The SM6 is a high-quality suspension shock mount that supports many RODE large-diaphragm microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone.

It includes a detachable pop filter with two axes of adjustment and a telescopic arm for ultimate versatility.