20 Best Lens For Baby Photography (2023 Updated)

Velvet 56 is a 56 mm f/1. 6 with 1:2 macro capabilities for SLR cameras from Lensbaby. Inspired by classic portrait lenses from the mid-20th century, this manual focus portrait lens delivers a soft, glowing effect at brighter apertures and beautifully sharp yet subtly unique images as you stop down.

The gorgeous, velvety- tones give your digital images a film-like, organic quality. This incredibly versatile lens enables photographers to move seamlessly from shooting an environmental portrait, to capturing the finest details with focus as close as 5″ from the front of the lens.

Velvet 56 features a black all-metal body and smooth, dampened manual focus.

Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1. 4 GM from S0NY is a fast, versatile lens well-suited to landscape, nature, and street photography. Its wide-but-usable perspective is complemented by the f/1.

4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and two XA (extreme aspherical) elements, which significantly control spherical aberrations for a high degree of image sharpness and clarity.

Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. For controlling focus, a Direct Drive SSM (Super Sonic wave Motor) is employed that is quick and quiet, and also lends more responsive control for manual focus operation.

The lens also sports a dust- and moisture-sealed design and fluorine-coated front lens element to support shooting in inclement conditions and a dedicated focus hold button, AF/MF switch, and manual aperture ring lend further control while shooting.

This incredibly compact and lightweight ultra-wide-angle 11mm APS-C prime offers dynamic perspectives, outstanding image quality, large F1. 8 aperture as well as fast, precise, quiet AF ideal for still and video content creators.

The small size and low weight of the lens makes it a perfect match for compact APS-C as well as Super35 E-mount cameras. Also thanks to a refined internal focus mechanism, the lens’s length remains constant while focusing for ideal balance and handling.

You can move in close to the subject, right down to the lens’s minimum focusing distance, and shoot movies or stills without being restricted by changing lens length. An 11 mm field of view and large F1.

8 aperture make it easy to shoot subjects against sweeping background with beautiful bokeh. That also makes this lens ideal for vlogging as the wide field of view helps capture all of the scene even when the camera is held at arm’s length.

State-of-the-art lens technology packed into this remarkable large-aperture ultra-wide lens reduces unwanted focus breathing and angle of view shifts when focusing. It also supports the breathing compensation function in compatible alpha cameras, further reducing unwanted angle of view shifts during focusing for smooth, high-quality movie footage.

Two linear motors give this large-aperture lens impressively fast, precise autofocus and tracking performance for both stills and movies. AF and tracking are so responsive that the full speed potential of the camera in use can be fully realized so that even fast or erratically moving subjects can be reliably captured.

The NIKKOR Z 28mm f/2. 8 excels at the capture of daily snapshots comfortably and intuitively. Whats more, you can respond immediately to the fast changing moments of street photography; and more. Get excellent image quality with its street smart 28mm perspective42mm on DX cameras (35mm equivalent) and fast f/2.

8 maximum aperture.

Best-in-class design minimizing aberrations for images virtually free of streaking and warping. The Sigma 24mm 1. 4 DG HSM Art is a state of the art wide-angle prime lens designed for Full Frame cameras but will work with APS-C sensors as well.

Using over 50 years of lens making experience, particularly the knowledge gained from the 35mm 1. 4 Art and the 50mm 1. 4 Art, the 24mm 1. 4 Art is aimed at being the new standard for fast aperture wide angle prime lenses.

The latest optical design allows for the utmost in image quality with careful attention paid to edge to edge performance. An optimized power layout places the aspherical lens elements in the rear and adjusts the incidence angle of light source allowing for great performance wide open.

Using premium FLD & SLD glass elements, the lens brings aberrations and distortion to a minimum, an issue many wide-angle lenses suffer from. With class leading performance, this lens is ideal for wedding photography, landscape photography, videography, astrophotography, lowlight/indoor photography and event photography.

As with all Global Vision lines, the 24mm will be tested using the proprietary “A1” measuring system ensuring the highest standard of operation. The Sigma 24mm Art is compatible with the USB dock to update and customize and is also compatible with the Mount Conversion Service.

A staple procedure for the Global Vision lines, every lens will be tested using the proprietary “A1” measuring system.

Carl Zeiss Otus 28mm f/1. 4 Distagon Lens for ZF. 2 Nikon F-Mount The worlds bestwide-angle lens Otus 1. 4/28Uncompromising performance across the entire image field makes this full-frame lens unique and sets new standards among wide-angle focal lengths.

Raise your photos to a totally new dimension by capturing even the tiniest details of your subject. Like all focal lengths of the unique ZEISS Otus family the Otus 1. 4/28 is in a class all of its own.

A lens that incorporates the extensive know-how and all the experience of ZEISS. Use the Otus 1. 4/28 from ZEISS and experience the quality and look of a medium format lens. Whether you are shooting landscape architecture or interiors during the day or at night this lens will provide you with high resolution and outstanding definition regardless of the situation.

It is purely and simply the worlds best wide-angle lens. The optical correction of the Otus 1. 4/28 prevents practically any aberration you can think of. It will just keep on fascinating you even after many years of use and also on high-resolution systems.

DesignIn SLR systems when extremely large image angles are needed the distance between the rear element and the image plane must be considerably longer than the focal length the original field of application of Distagon lenses.

This advanced retrofocus design can also be put to outstanding use in modern highly corrected lenses with longer focal lengths.

Sony FE 20mm f/1. 8 G Lens Presenting an ultra-wide field of view, the Sony FE 20mm f/1. 8 G is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling.

The optical design incorporates a pair of aspherical elements and three extra-low dispersion elements to greatly reduce a variety of aberrations and distortion. A Nano AR Coating has also been applied to further reduce surface reflections and flare for improved contrast when working in bright and backlit conditions.

Benefitting the optics, this lens also sports a dual XD Linear Motor system that is quick and quiet, and also lends more responsive control for manual focus operation. The lens also has a dust- and moisture-sealed design, along with a fluorine coating, to support shooting in inclement conditions.

Wide F1. 4 50mm prime ZEISS lens High-performance 50mm prime lens featuring a large F1. 4 maximum aperture with outstanding contrast and resolution that are hallmarks of the ZEISS brand. The bright F1.

4 maximum aperture offers excellent low light performance and adds to the 11-blade aperture and aspheric elements for gorgeous bokeh. 12 Elements in 9 Groups with two aspherical elements, including a high-precision AA (advanced aspherical) type and ED (Extra-low Dispersion) glass element, help maintain outstanding contrast and resolution right out to the image periphery.

ZEISS T* coating delivers superior contrast and resolution. 50mm wide aperture Prime lens with ZEISS Planar design High-performance ‘Äònormal’Äô 50mm prime lens is the ideal focal length for most photographers.

The bright F1. 4 maximum aperture delivers excellent low-light performance and control over defocussed backgrounds. A state-of-the-art optical design includes 12 Elements in 9 Groups with Advanced Aspheric and ED glass – reducing spherical aberration and distortion to an absolute minimum for a flat image plane that is consistent with the Planar name.

11-blade circular aperture for gorgeous bokeh When changing your aperture to defocus the background, the light sources appear blurred. This ‘Äòbokeh’Äô effect of the blurred background can be enhanced with circular aperture blades used in this lens.

Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops.

Smoother, more natural defocusing can be obtained as a result.

The Nikon 35mm f/1. 4G AF-S Nikkor Lens is an update of one of Nikon’s most respected NIKKOR lenses that delivers sharp images, and its fast maximum aperture ensures a bright viewfinder image as well as beautiful background blur.

The moderate wide angle capability of the lens is suitable for interiors, weddings, photojournalism and landscape photography. FX-format, ultra-fast classic wide-angle lens Update of one of Nikon’s most respected NIKKOR lenses; suitable for landscapes, night scenes, interiors, weddings, photojournalism and astrophotography.

Optimized for edge to edge sharpness on both FX and DX-format D-SLRs DX-format D-SLR the angle of view is equivalent to a focal length of 52. 5mm in FX/35mm format. Rear Focus (RF) Provides smooth and fast autofocus while eliminating front barrel rotation and lens length changes.

Exclusive Nikon Silent Wave Motor (SWM) Enables fast, accurate and quiet autofocus. Rounded 9-Blade Diaphragm Renders a more natural appearance to out-of-focus image elements. Nano Crystal Coat Use of Nano Crystal Coat further reduces ghosting and interior flare across a wide range of wavelengths for even greater image clarity.

Aspherical Lens Element Aspherical lens element virtually eliminates coma and other types of aberration, even when shooting at the widest available aperture. M/A Focus Mode Switch Enables quick changes between manual and autofocus operation now enhanced with a refined MF driving mechanism to reduces focus time lag and improve ease of use in M/A mode.

Nikon Super Integrated Coating (SIC) Enhances light transmission efficiency and offers superior color consistency and reduced flare.

Free your subjects from their background with the 60 mm f/2. 5 Twist 60 Optic. A addition to the Optic Swap System, Twist 60 Optic will help you discover the essence of your subject – adding magic and emotion to your portraits, still life images and more.

Twist 60 Optic helps you draw extra attention to your subjects by separating them from their background with delicious twisty, swirly blur. True to an 1840 design by Joseph Petzval, this lens reveals striking separation between subjects and their background, a quality that modern lens designs lack.

Shooting at bright apertures maximizes the effect and produces a subtle vignette that calls further attention to anything you place within the large central area of focus, for a timeless, vintage look.

As you stop down the area of focus gets larger while still creating subtle swirling at the edges. Twist 60 Optic is recommended for use on full frame cameras only and for best results when used in a tilting lens body, keep the lens pointed straight ahead.

A living sculpture of photographic spontaneity, Lensbaby’s Spark 2. 0 draws on the design of the Original Lensbaby first introduced in 2004. Spark 2. 0 combines the Original’s dance-like process of focusing and tilting with internally adjustable apertures plus compatibility with any of the 15 Optic Swap optics that Lensbaby has introduced since 2008.

With a squeeze to focus interface any Lensbaby user, new or experienced, can enter into a magical process of focusing and tilting that moves with their subject matter. Due to the mystery they add to Lensbaby’s already unique images, flexible body Lensbabies like the Spark 2.

0 have been used in motion pictures and video productions ranging from the academy award nominated film. The Diving Bell and the Butterfly, to music videos, to a host of currently streaming TV series on Netflix, HBO, Amazon and Hulu.

Spark 2. 0 is the first flexible Lensbaby lens body available for mirrorless camera systems. What is Spark 2. 0?. Spark 2. 0 is our latest adaptation of our revolutionary product Spark. Use Spark 2. 0 to create in ways you have never experienced by bending the lens to capture the world in a new way!.

Bend it!. Control the size of your sweet spot of focus by physically bending the lens into a full range of angles to capture the exact shot you want!. The Power of Bokeh. Place the spot of focus anywhere in the frame to create extraordinary bokeh while showcasing your subject in tack sharp focus!.

An Everyday Essential. Portraits, still life, nature scenes and more come to life with this essential 50mm focal length.

The Sweet 50 is a 50mm f/2. 5 selective focus optic with a 12-blade adjustable aperture. This optic combines the popular normal 50mm focal length with an easily adjustable aperture mechanism. Photographers can change aperture by simply rotating a ring on the front of the optic.

Inspired by one of Lensbaby’s first products, the Double Glass Optic, this lens produces the classic Lensbaby look of a sharp sweet spot of focus, surrounded by blur. Photographers can place that sweet spot of focus anywhere within the frame by tilting the lens (compatible with Lensbaby Composer Pro and Composer lenses).

Aperture ranges from f/2. 5 through f/22. Along with controlling depth of field, aperture controls the size of the sweet spot of focus.

The Sweet 35 Optic is a 35mm, selective focus optic with a 12-blade internal aperture that provides unprecedented creative control over the size of the sweetspot and the amount of blur. This is the widest focal length Lensbaby optic currently available, and the first to feature an internal aperture.

Rotating the aperture dial on the front of the lens changes between apertures from f/2. 5 through f/22. The Sweet 35 Optic is part of the Lensbaby Optic Swap System. The Sweet 35 Optic, compatible with the Composer, Muse, Control Freak and Scout lens bodies, produces a sweet spot of focus surrounded by a smooth, gradual blur.

The Sweet 35 Optic provides photographers with even more creative freedom to capture their vision in camera by dialing in the sweet spot quickly and seamlessly, in the moment. The Sweet 35 is an incredibly versatile optic, allowing photographers to focus anywhere from 3-7.

5″ from the front of the lens to the subject, depending upon which lens body is being used. Its wide 35mm focal length is perfect for landscape, event and environmental portrait photography.

The Sony FE 35mm f1. 8 lens fits a vital whole in the full-frame Sony E-mount lineup, providing users with an affordable and reliable take on a classic focal length. The 35mm f1. 8 is an everyday option, suiting users who shoot landscape, sceneries and similarly wide snapshots.

The fast f1. 8 aperture delivers excellent low-light performance, especially when paired with the built-in stabilisation of select Sony bodies, while it also allows varied depth of field control. The lens is classed as dust and moisture-resistant, so it can be taken with you on your travels without you having to worry about its wellbeing if you get caught in a surprise shower.

The portable and lightweight Sony FE 35mm f1. 8 lens features a quick and quiet Linear AF motor, which is suitable for tracking speedy subjects for still photographs and for keeping up with your high-resolution videos.

Images taken with this lens are sharp and detailed, with thanks to the Aspherical element used in the lens design, while the unique customisable focus hold button can be employed to control various functions, such as focus locking, Eye AF, AF off/on, Aperture preview and more.

Although it is designed for full-frame models, this lens functions perfectly on APS-C format E-Mount cameras as well, on which it provides a portrait-friendly 52. 5mm equivalent focal length.

The Burnside 35 DSLR & mirrorless camera lens is a totally new kind of creative effects lens made for photographers who need to create images that stand out. It’s for artists who want to see their vision take shape in the real world.

Use this 35mm f/2. 8 lens to set your work apart. Create images with a bright central area of sharp focus and striking color rendition — surrounded by subtle, swirling bokeh and vignette. With its wide 35mm focal length, Burnside 35 gives you a wide to normal view of a scene.

Use this classic focal length to create stunning street and environmental portrait photos. The swirly bokeh and vignette give you added control to direct the viewer’s eye to the most important part of the photo.

For landscape photographers, Burnside 35 gives you the ability to try something new and experiment with swirling bokeh, painterly edge softness, & vignette – while being versatile enough to let you capture more traditional landscape imagery as well.

To get an image with dramatic bokeh swirl with Burnside 35, shoot at f/2. 8 with your subject 3 feet or less from your camera. Make sure there’s separation between the subject and the background – at least 12 feet.

Choose a background that has plenty of texture to take on the swirl. Adjust any one of these variables and the swirl will soften or disappear. Keep in mind that the central area of your image will be sharp with fall-off on the edges, no matter your aperture setting.

Create perfect harmony between focus, bokeh, and vignette by fine-tuning your composition using the effect slider. Adjust the gold slider up or down to control how much vignette creeps in, darkening the edges and really making the center POP with brightness.

In addition, you’ll get more or less swirl in your bokeh. Experiment and find out what works best for you. Explore boundless creative options, and seize control of your composition with Burnside 35.

The Edge 80 Optic is an 80 mm, flat field of focus optic with a 12-blade adjustable aperture and is compatible with all Lensbaby lens bodies. When tilted, the Edge 80 delivers a slice of tack sharp focus through the image, bordered by soft blur.

When pointed straight ahead, the Edge 80 can be used just like a high-quality straight lens. When tilted, the size of that slice of focus depends upon the aperture used, and the placement of the slice of focus depends upon the degree and direction of tilt.

Rotating the aperture dial on the front of the optic changes between apertures from f/2. 8 through f/22. The Edge 80 also features a special close-focus function. Photographers can extend the front of the optic to focus as close as 17″ away from their subject.

Want to see even closer? Add on the Lensbaby Macro Converter. An incredibly versatile portrait lens, Edge 80 can also be used to great effect in any situation that lends itself to selective focus – from food photography to giving landscapes a “miniature” appearance.

Carl Zeiss Otus 28mm f/1. 4 Distagon Lens for ZE Canon EF-Mount The worlds bestwide-angle lens Otus 1. 4/28Uncompromising performance across the entire image field makes this full-frame lens unique and sets new standards among wide-angle focal lengths.

Raise your photos to a totally new dimension by capturing even the tiniest details of your subject. Like all focal lengths of the unique ZEISS Otus family the Otus 1. 4/28 is in a class all of its own.

A lens that incorporates the extensive know-how and all the experience of ZEISS. Use the Otus 1. 4/28 from ZEISS and experience the quality and look of a medium format lens. Whether you are shooting landscape architecture or interiors during the day or at night this lens will provide you with high resolution and outstanding definition regardless of the situation.

It is purely and simply the worlds best wide-angle lens. The optical correction of the Otus 1. 4/28 prevents practically any aberration you can think of. It will just keep on fascinating you even after many years of use and also on high-resolution systems.

DesignIn SLR systems when extremely large image angles are needed the distance between the rear element and the image plane must be considerably longer than the focal length the original field of application of Distagon lenses.

This advanced retrofocus design can also be put to outstanding use in modern highly corrected lenses with longer focal lengths.

Incredibly lightweight, the EF-S 24mm f/2. 8 STM is a fast and versatile lens with advanced AF and superior optics. With a 35mm equivalent focal length of 38mm, it’s appropriate for a variety of purposes.

The lens features optimized lens element placement and includes an aspheric element for high image quality from the center of the composition to the corners, and has specialized coatings on the lens elements to reduce ghosting and flare.

To ensure excellent color balance, a 7-blade circular aperture provides superb out-of-focus detail. The EF-S 24mm f/2. 8 STM excels during movie shooting thanks to its STM motor that enables silent and smooth focus tracking (on EOS cameras with Movie Servo AF), plus a micro-stepping drive that keeps aperture changes quiet.

The lens also offers full-time manual focus, manual AF adjustment (one-shot AF), and can focus down to a minimum distance of 0. 5 ft. (0. 16m). Delivering optical brilliance in a lightweight and unobtrusive construction, the EF-S 24mm f/2.

8 STM is a great fixed-optical length lens for photographers looking to add a travel-friendly option to their collection.

This Canon 24mm Lens F1. 4 II USM EF has a wide 24mm focal length, fast f/1. 4 aperture, aspherical and UD lens elements. Also the subwavelength structure coating and USM focus motor with full-time manual focus creates sharp images.

This superb lens has a large maximum aperture of f/1. 4, offering the chance to capture superb low-light photographs, as well as a circular aperture and narrow depth of field to give excellent background blur.

Image quality on the Canon 24mm Lens has been greatly improved thanks to the addition of two high-precision aspheric lenses to correct aberration including curvature of field and distortion. Chromatic aberration common in wide-angle shooting is also combated by the inclusion of two UD lenses, ensuring optimum image quality and corner-to-corner detail.

Designed for use in digital photography, Canon s patented lens element coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images.

The near-silent Ultra Sonic Motor (USM) on the Canon 24mm Lens provides super-fast auto-focusing with full-time manual override. The floating internal focus system also helps maintain high image quality throughout the focal range.

Canon lenses are built to withstand regular use in the most testing environments. Weather and dust seals provide added protection, and a lens hood and pouch are also included in the package.

This 85mm f/1. 8 creative art lens creates soulful, striking portraits with our Velvet 85 art lens. Compose impressionistic masterpieces with a soft overlay at bright apertures, straight out of camera.

Use darker apertures to bypass glow and make images with a crisp, film-like aesthetic. Building on the strengths of our bestselling Velvet 56 lens, Velvet 85 combines lustrous skin tones with the added compression and sublime bokeh of high-quality 85mm portrait lenses.

Use its macro capability to capture the most compelling details.