Best Waves Eq For Vocals (2024 Updated)

The Aston Origin is a high-performance cardioid condenser microphone utilizing a one inch (1 ) gold evaporated capsule, paired with high-end transformerless circuitry. Al Schmitt has more Grammy Awards than any other Engineer or Mixer at 23.

During his career, he has engineered and produced more than 150 Gold and Platinum Albums. In 2014, Schmitt was awarded a star on the Hollywood Walk of Fame. He is the only engineer to achieve this. In 2006, he was given the GRAMMY Trustees Lifetime Achievement Award.

In 2005, he won 5 GRAMMY Awards setting the record for most GRAMMY Awards won by an engineer or mixer in one night. He is the first to win both a GRAMMY and Latin GRAMMY for Album of The Year. He was inducted into the TEC Awards Hall of Fame in 1997.

In June 2014, he won the Pensado Giant Award. In September 2014, he received an honorary doctorate from the Berklee College of Music.

More “You” for the Loudest Venues For a vocalist, there’s just no competing with a guitar stack or a drum kit on a loud stage. So when you need maximum gain before feedback, trust your sound to the Electro-Voice ND96.

This striking flat-top dynamic mic puts more “you” in your stage monitor so you can perform better and gives your sound engineer a hotter signal to push your vocals to the back row. The ND96 includes a Presence switch to cut out mud when you’re singing low, and then lets you bring it back in when you’re belting.

This simple feature puts you in the pilot seat of your own sound. And like other ND-series vocal mics, the ND96 has a modern EQ curve with vivid high-end detail to help you sound your best from any stage.

Sweetwater is sure that performers and sound professionals alike will be pleased with the ND96’s drop-weathering Memraflex grille and noise-rejecting internal shockmount. Electro-Voice ND96 Vocal Dynamic Microphone Features: Designed for the loudest stages Gives you maximum gain before feedback for better mixing and monitoring Presence switch cuts mud and boosts treble to combat frequency-fighting passages Supercardioid polar pattern rejects room noise and gives your voice laser focus Large-diaphragm element is rich, lively, and detailed Good for both male and female vocalists Modern EQ curve demands less shaping at the board High gain before feedback puts more of you in your ears Humbucking coil resists EMF noise Internal shockmount keeps stage rumble to a minimum Memraflex grille keeps its shape Get clearer vocals for the loudest stages with the feedback-fighting Electro-Voice ND96!.

The Boss GE-7 Equalizer Guitar Effects Pedal is a versatile and classic Boss product that provides you with excellent control over your tone, featuring a 7-band slider EQ to offer precise adjustments to a wide frequency range, from 100Hz to 6.

4kHz. Each band can be boosted or cut up to 15dB, letting you find the sweet spot of your setup in any location, so you can find your own unique voice. Experiment with the GE-7’s controls to give your sound a unique twist, or as a simple way to boost your sound during solos.

With its compact design, extensive controls, and durable construction, the Boss GE-7 Equalizer is the perfect tool for any player wanting to exercise absolute control over their tone. This extremely handy device can be used to simply boost the sound of your rig, or re-define it completely – elevating your style with innovative flair within every performance.

TC Electronic’s CLARITY M STEREO provides precise visual metering that helps you make crucial decisions during audio production, mixing, and mastering, and also works in stereo post-production applications.

The 7″ high-resolution display can show a quick overview or the important fine points at a glance. Aside from standalone operation, the unit supports plug-in metering via all modern plug-in standards, allowing a user to work with any preferred DAW.

Digital connectivity via the included custom breakout cable hosts two channels of unbalanced AES3 digital audio, connecting the meter to an external mixing desk, console, or audio interface for broadcast-grade metering.

Also available is a stereo optical input that can connect to an audio interface through TOSLINK for maximum flexibility. One of the breakout cables allows you to hook up a two-button footswitch and easily reset the meter, as well as for triggering play and pause.

Description This Exclusive Bundle includes the Focusrite 2i2 (3rd Gen) Audio Interface plus the indispensable Waves Musicians 2 software package. When the world’s top producers, engineers, sound designers, and recording artists need perfect sound, they turn to Waves for all their mixing and mastering needs.

And from iZotope, Mobius Filter, Add movement and emotion to your music with Mobius Filter’s infinitely ascending or descending filter sweeps. Find the sweet spot for your track quickly and fluidly, to push to extreme heights or add subtle hints of motion.

Also Includes: Avid Pro Tools | First Focusrite Creative Pack, Ableton Live Lite, XLN Audio Addictive Keys, Softube Time and Tone Bundle, Focusrite Red Plug-in Suite, Focusrite Plug-in Collective. Scarlett has gone platinum.

Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever.

Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals Two high headroom instrument inputs, for plugging your guitar or bass straight in High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere Quick Start tool, making it easier than ever to get up and running Features: Exclusive to this Bundle: Waves Musicians 2 ($99 Value) with 6 Indispensable Audio Plugins:Renaissance Compressor, Renaissance Equalizer, Renaissance Vox, Renaissance Axx, Doubler and SuperTap Exclusive to this Bundle: iZotope Mobius Filter ($49 Value) Create fresh filter effects for any genre Two of the best performing Scarlett mic preamps the range has ever heard now with Air for miking up guitars or recording vocals.

Two high headroom instrument inputs, for plugging your guitar or bass straight in High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere Also Includes: Avid Pro Tools | First Focusrite Creative Pack, Ableton Live Lite, XLN Audio Addictive Keys, Softube Time and Tone Bundle, Focusrite Red Plug-in Suite, Focusrite Plug-in Collective.

Features Half DIN. 7-band graphic equalizer. 6-channel/8V RCA outputs. 3. 5 mm. front aux input. Independent master volume &subwoofer level controls. 2-channel RCA aux input with variable gain adjustment.

Selectable 12dB low-pass filter. Fader control. Ground loop isolation circuit. Speaker (high) level &RCA inputs. Blue illumination. Dimension – 1 H x 7 W x 4. 25 D in.

The Warm Audio WA73-EQ is a single-channel, Class-A microphone preamp and equalizer designed to provide up to 80 dB of gain and 3-band EQ for engineers, producers, musicians, and vocalists in mobile-recording rigs and home, project, and commercial studios.

It features custom Carnhill transformers and is wired and assembled by hand to deliver the sound and functionality of classic British ’73-style preamps. Its inputs include balanced XLR and 1/4″ TRS jacks and one front-panel 1/4″ TS instrument input.

Input impedance, polarity, ground lift, and phantom power are switchable. Connect an outboard compressor or equalizer via the 1/4″ TS insert send and return jacks. Balanced XLR and 1/4″ outputs are fed by an output level control and allow compatibility with most audio interfaces and mixing consoles.

The selectable high-pass filter can be set to 50 Hz, 80 Hz, 160 Hz, or 300 Hz for management of unruly bass frequencies. The inductor-based EQ boasts selectable frequencies and Blore Edwards dual-concentric potentiometers.

The WA73-EQ is rack-mountable and occupies 1 RU.

Like new. The ND76 is a robust, high-performance, large-diaphragm dynamic cardioid vocal microphone. Designed to be a workhorse for excellent all-around voice applications, the ND76 capsule is precisely tuned to deliver crisp, clear, and balanced vocal presence, as well as superior isolation from sound on the stage.

The BOSS VE-20 is a vocal effects procesor with a built in footswitch and more. The VE-20 is packed with essential, high quality effects for vocalists such as Reverb, Delay, Dynamics, Chorus, and more.

These effects have been difficult for vocalists to have control of, but now the VE-20 offers incredible easy user interface for complete control your vocal sound. Simply dial up your favorite setting and sing no programming required.

VE-20 is a practical vocal effects processor even for first timers. Of course, if you want to roll your sleeves up and create, the VE-20 has a variety of editing tools onboard. Designed from the ground up for singers, featuring some of the finest vocal-effects technology on the market.

With the click of a footswitch, you can instantly add lush vocal layers and harmonies to your singing, add real time pitch-correction, and you can show your creative side with special effects such as Distortion, Radio, and Strobe.

The Neumann TLM 49 Studio Condenser Microphone is a professional studio condenser microphone optimized for vocal reproduction. Inspired by the legendary M 49 and M 50 microphones, the TLM 49 delivers the warmth and presence expected of Neumann.

Its cardioid polar pattern suppresses off-axis noise and feedback. A transformerless output stage ensures the highest possible gain while maintaining a low noise floor. The TLM 49 excels in capturing vocals and provides excellent results on instruments as well.

The TLM is at home in professional and project studios. Optimized for Vocals The TLM 49 is based on the legendary M 49 and U 47 capsules. The result is warm, rich vocal reproduction while still suitable for instrument capturing.

Cardioid Polar Pattern The cardioid polar pattern suppresses noise and feedback at the off-axis sections of the capsule. Transformerless Output Stage The transformerless output results in high output gain and low noise floor.

The e906 was specifically built as a versatile instrument microphone that works well with a number of sound sources, but it does shine best with some more than others. On guitar speakers, for example, the e906 produces amazing results.

The natural tone comes through clearly without a hint of distortion or artifacts. Placing the mic in order to find a balanced source that was also a breeze. Overall, the e906 gives off a sound that is very lively and full.

And with the three-position EQ control, you can easily brighten or darken the tone in a very noticeable way. It’s almost like having three different mics in one. It’s not just useful for recording situations either.

When used live or when a full band is playing along, the e906 is easily able to isolate the guitar speaker source without any added sound. But as great as it works as a guitar speaker mic, it’s more impressive when used on a drum kit, particularly with the snare and toms.

The Warm Audio WA273-EQ is a dual-channel, Class-A microphone preamp and equalizer designed to provide up to 80 dB of gain and 3-band EQ for engineers, producers, musicians, and vocalists in mobile-recording rigs and home, project, and commercial studios.

It features custom Carnhill transformers and is wired and assembled by hand to deliver the sound and functionality of classic British ’73-style preamps. Its inputs include balanced XLR and 1/4″ TRS jacks and two front-panel 1/4″ TS instrument inputs.

Input impedance, polarity, ground lift, and phantom power are switchable. Connect an outboard compressor or equalizer via the 1/4″ TS insert send and return jacks. Balanced XLR and 1/4″ outputs are fed by output level controls and allow compatibility with most audio interfaces and mixing consoles.

The selectable high-pass filter can be set to 50 Hz, 80 Hz, 160 Hz, or 300 Hz for management of unruly bass frequencies. The inductor-based EQ boasts selectable frequencies and Blore Edwards dual-concentric potentiometers.

The WA273-EQ is rack-mountable and occupies 2 RU.

The natural companion for any modern singer-songwriter, play acoustic combines all the things you need to make a live acoustic performance shine; lavish vocal sounds, perfect backing harmonies, best-selling guitar FX, and unique processing that makes your six-string sing – in perfect harmony with your voice.

New – added per-preset guitar FX, tc-electronic flashback delay and 2x looping time! *Requires firmware update. Operating Temperature: 2 F to 122 F (0 C to 50 C).

Inadditiontoacousticresonancedesignedtoreproducenaturalsound, itisequippedwithvariouseffectssuchasreverb, chorus, andtuner, aswellasanotchfilterandphaseinvertertoeliminatehowling.

The Boss VE-2 Vocal Harmonist provides professional quality vocal effects in an easy to use stompbox format. Ideal for vocalists who perform with guitar, the VE 2 can create harmonies which perfectly track a vocal, and follow guitar chord accompaniment.

The VE-2’s rugged construction and intuitive control layout make it ideal for use on stage, or in the studio. Phantom power is available for condensor microphones, even when running on batteries.

Combining sophisticated sound with simple operation, the VE-2 Vocal Harmonist delivers a complete effects solution for all singers, particularly those that perform with guitar. This portable, battery-powered stompbox has everything you need to create polished, studio-quality sounds everywhere you sing, from concert stages and street performances to practicing and having fun at home.

The VE-2 magically creates beautiful harmonized vocals that follow your singing, with pitch that automatically tracks the chords played on a connected guitar, a preset key, or a combination of the two.

Using one of these three operation modes, it’s easy to create perfect real-time harmonies in any key, even if you have no experience with gear or music theory. In addition to harmony, the VE-2 provides essential effects to enhance your voice, such as high-quality reverb/delay and an enhancer with real-time pitch correction.

Also included is a USB audio function that allows you to connect to your computer and easily capture impressive VE-2 vocal sounds for music recordings, social media videos, and more.

Sound systems would be perfect and would reproduce perfect signals in all their glorious perfection. Also, everyone in that perfect world would like the same amount of bass, midrange and high frequency, and there would be no such thing as feedback.

But the world isnt perfect, is it? Even the best sound system can benefit from the use of a good EQ–like the FBQ800. Even the best sound system can benefit from the use of a good EQ. Click to enlarge.

1/4-inch and RCA inputs and outputs. Nine steps of graphic EQ. How Does it Work? Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these “lanes” represents a single octave of the sonic spectrum.

The first four lanes, labeled 63 – 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1 k, 2 k and 4 k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals.

8 k and 16 k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

Feedback Elimination When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs–that all-too-familiar squeal or howl you get when the mic is too close to the speaker.

Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. Thats why feedback typically gets louder and louder the longer its allowed to occur.

Needless to say, this kind of feedback is very undesirable. This is where the FBQ800s Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone.

All you need do is lower the illuminated slider until the LED blinks out–voilá, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master. Sonic Toolkit That really is the best way to describe the FBQ800.

With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and thats a lot!).

Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as fl oor rumble, room resonance, electrical hum, etc.

This is especially handy if your system is being used for speech rather than music. To Boost or to Cut, That is the Question Raising and lowering specific frequency bands can improve the frequency response of any rooms acoustics.

For instance, if the room youre in is “bass-heavy,” lowering the 63 and 125 Hz faders can help eliminate an overall “boomy” or “muddy” sound. Likewise, gently boosting the 8 and 16 k sliders can add sparkle to a somewhat “dark” mix.

Are the vocals getting lost in the mix? Raising the level of the 1 k slider can help bring them out. Its important to note that raising a single fader level is not always the best solution; its often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.

Built for Accuracy and Reliability Speaking of headroom, FBQ800s 6-digit LED Input/Output meters and level control are provided for precise level maintenance. Longterm reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance.

In addition, all Mini Series components may be stacked to cre.

Presented in a black body with a black grille, the Telefunken M80 Custom Handheld Supercardioid Dynamic Microphone delivers the sonic essence of a condenser in a rugged dynamic design. It features a wide 50 Hz to 18 kHz frequency response and high maximum SPL of 135 dB, making it equally suitable for voice, instruments, or drums onstage and in the studio.

The M80 is designed to be an alternative to the midrange-laden character of most dynamic vocal microphones.

Whether you’re at the top of the charts – or just a dreamer with a microphone, Voice Live Play gives you hundreds of songs, artists, presets to choose from, helping you create amazing vocals. Plug in your MP3 player and sing along with your favorite tracks or create instant HIT effects for your own songs.

This innovative device from TC Electronics is going to be a popular studio tool in the coming years. It is simply essential for any pro studio to have this kind of fail-safe metering and microscopic examination of compression schemes, loudness across various areas of the audio spectrum and the many other sometimes elusive details the Clarity M keeps track of on a constant and effortless basis.

It is an ingenious design, a tabletop standalone hardware piece that behaves (and is priced) like a plug-in. Naturally no piece of equipment can replace your ears, but precise metering allows you to visually confirm specific details about your mix, making the process of setting optimum signal levels both quicker and easier.

With the Clarity M you get a wealth of dedicated meters, that can greatly help you improve your mix – and with the 7″ high-resolution screen, you are sure to always get maximum precision and definition in the readouts.

By providing you with both that quick overview and the ever-important fine points at a glance, the precision meters of the Clarity M is perfectly suited for any mixing or mastering job – whether it’s for music, picture or drama.

Most plug-ins, like reverbs and compressors, you only fire up a few times during a session; you adjust the appropriate parameters and close the plug-in once you’re done in order to save precious screen real-estate.

Your metering tools, however, need to be in plain sight at all times. The Clarity M connects seamlessly with your DAW workflow via a USB connection and allows you to get precise readouts from any output, you need.

With the visual feedback of your mix pushed to a permanent screen, you no longer need to move plug-in windows around to have both your sequencer, effects and meters visible. Clarity M is quite simply the perfect integration of two worlds.