20 Best Lenses For Blackmagic Pocket Cinema Camera 4K (2023 Updated)

Covering a versatile wide-angle to short-telephoto range, the Lumix S 24-105mm f/4 Macro OIS from Panasonic is a flexible zoom, featuring a constant f/4 maximum aperture, for L-mount mirrorless cameras.

In regard to its optical design, a series of low dispersion and aspherical elements are used to control a variety of aberrations, color fringing, and distortion in order to realize a high degree of sharpness, clarity, and color accuracy.

Balancing its optical performance, this zoom is also unique due to is 1:2 maximum magnification ratio and 11. 8″ minimum focusing distance to suit working with close-up subjects. Additionally, an Optical Image Stabilizer helps to control the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.

Make sure this fits by entering your model number. With a wide aperture of T2. 2, the lens allows you to create shallow depth of view videos The 50mm cine lens has a wide view angle of 24. 8 degrees, great for portrait or landscape The Meike Mini Prime 50mm T2.

2 is small and compact build, offers a focal length equivalent to 100mm with focal lengths that are ideal for video use This cine lenses have very little focus breathing,sharpness is perform very well both in the center and in the corners, it haven’t any significant chromatic aberration This cine lenses have very little focus breathing,sharpness is perform very well both in the center and in the corners, it haven’t any significant chromatic aberration.

Covers Micro Four Thirds/APS-C Sensors, Suitable for 4K Image Capture, 2. 4:1 De-Squeezed Format; 10-Blade Iris, 191° Focus Rotation, Schott Optical Glass with Nano Coatings, Blue Streak Effects / Less Stray Light, 67mm Filter Thread, Focus Scales in Feet & Meters, 2.

8′ Minimum Focus, Weighs 1. 5 Pounds. The MFT-mount 35mm f/1. 8 Anamorphic 1. 33x Lens from Sirui is designed for MFT/APS-C cameras and increases the horizontal FOV by 33% in comparison with traditional 35mm APS-C lenses.

The result is equivalent to a wider 26. 3mm APS-C lens. After de-squeezing the captured image is displayed in an anamorphic 2. 4:1 format in a 16:9 setting. This fast f/1. 8 lens is designed with an aluminum housing and features optics with multilayer nano coatings.

Made with renowned Schott optical glass lens elements it produces rectangular aspect ratios long horizontal lens flares and oval bokeh. One of the features of this lens is that it produces horizontal blue streaks with less stray light which Sirui calls sci-fi horizontal flares.

A key aspect of anamorphic lenses is highlighted oval bokeh and this lens produces a shallow depth of field and oval bokeh with its 10 aperture blades. While the lens has a robust housing it’s also designed to be lightweight for use with your compact MFT/APS-C camera.

Best Digital Cine Lenses.

The 16mm cine lens has a wide view angle of 73 degrees, great for landscape videography With a wide aperture of T2. 2, the lens allows you to create shallow depth of view videos 商品特性 1 The lens structure is 10 groups 13 elements, makes the lens capable of producing sharp image and videos with low distortion Lens Not Attached:MANUAL LENS need you to enable”M mode” or “Release without lens” in the setting of camera.

The lens is all metallic structure, makes the lens solid and durable.

Cinematographer demands for anamorphic lenses have resulted in expensive options making it difficult for cinematic enthusiasts to acquire a quality product. With the introduction of the SIRUI 50mm F1.

8 Anamorphic lens, there is now a high quality, lightweight product that delivers all the unique anamorphic features at a great value. Compared to a traditional 50mm APS-C lens, the SIRUI 50mm F1. 8 anamorphic camera lens produces a cinematic 2.

4:1 widescreen video with a 33% increase of the horizontal field of view to achieve a FOV equivalent to an APS-C 37. 5mm lens. Built with Aircraft Aluminum housing and high-quality German Manufactured Schott optical glass lens elements, the F1.

8 camera lens is compact and robust yet light enough to easily create Cinematic widescreen shots. Manually adjust the focusing and light settings with precision scale marks on the comfortable focus and aperture rings.

The – Canondelivers 180 diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C. When the lens is used with full-frame cameras you can choose between a circular fisheye image or full-frame image by using the zoom.

– When used with EOS bodies featuring APS-C or APS-H sensors, the lens produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge.

‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor. For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the Canon EF 8-15mm f/4L Fisheye USM is a world-class choice.

– With its Ultrasonic Motor (USM), and Floating Focus System the lens offers fast auto focus even down to a close 6. 2 (0. 16 m). The lens features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses.

The rear gel holder holds up to 3 pre-cut filters. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time.

– For all EOS SLR cameras with imaging formats ranging from full-frame to APS-CDelivers 180 diagonal angle of view – Provides 180 circular fisheye images for full-frame cameras as well as full frame images when using the longer part of the zoom – Zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without vignetting for APS-C or APS-H sensors – Rear gel holder holds up to 3 pre-cut filters – Focus adjustment is through internal focusing and focus cam plus floating mechanism – The lens features UD glass and aspherical elements for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum – Full-time manual focus for instant switching from AF to Manual operation – Tight seal structure ensures excellent dust-proof and moisture-proof performance – Designed For Use With:ARRI ALEXA Mini EF-Mount – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Pocket Cinema Camera 6KBlackmagic Design Production 4K EF-Mount – Blackmagic Design URSA 4.

6K EF-Mount – Blackmagic Design URSA 4K EF-Mount – Blackmagic Design URSA Mini 4. 6K EF-Mount – Blackmagic Design URSA Mini 4K EF-Mount – Blackmagic Design URSA Mini Pro 4. 6K EF-Mount – Blackmagic Design URSA Mini Pro 4.

6K G2 EF-Mount – Canon EOS 1D XCanon EOS 1D X Mark IICanon EOS 1D X Mark IIICanon EOS 5D Mark IICanon EOS 5D Mark IIICanon EOS 5D Mark IVCanon EOS 5D Mark IV Canon Log – Canon EOS 5DSCanon EOS 5DS RCanon EOS 6DCanon EOS 6D Mark IICanon EOS 70DCanon EOS 77DCanon EOS 7D Mark IICanon EOS 80DCanon EOS 90DCanon EOS C100 EF-Mount – Canon EOS C100 Mark II EF-Mount – Canon EOS C200 EF-Mount – Canon EOS C300 EF-Mount – Canon EOS C300 Mark II EF-Mount – Canon EOS C300 Mark III EF-Mount – Canon EOS C500 EF-Mount – Canon EOS C500 Mark II EF-Mount – Canon EOS C700 EF-Mount – Canon EOS C700 FF EF-Mount – Canon EOS Rebel SL1Canon EOS Rebel SL2Canon EOS Rebel SL3Canon EOS Rebel T5Canon EOS Rebel T5i – Canon EOS Rebel T6Canon EOS Rebel T6i – Canon EOS Rebel T6s – Canon EOS Rebel T7Canon EOS Rebel T7i – Canon EOS Rebel T8i – Canon ME200S-SHCanon ME20F-SHJVC GY-LS300 MFT Mount – Panasonic AU-EVA1 EF-Mount – Panasonic Vari – Cam LT EF-Mount – RED DIGITAL CINEMA DSMC2 BRAIN EF-Mount – RED DIGITAL CINEMA EPIC-W EF-Mount – RED DIGITAL CINEMA RAVEN EF-Mount – RED DIGITAL CINEMA SCARLET-W EF-Mount – Z CAM E2-F6 EF-Mount – Z CAM E2-F8 EF-Mount – Z CAM E2-S6 EF-Mount.

The – Canondelivers 180 diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C. When the lens is used with full-frame cameras you can choose between a circular fisheye image or full-frame image by using the zoom.

– When used with EOS bodies featuring APS-C or APS-H sensors, the lens produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge.

‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor. For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the Canon EF 8-15mm f/4L Fisheye USM is a world-class choice.

– With its Ultrasonic Motor (USM), and Floating Focus System the lens offers fast auto focus even down to a close 6. 2 (0. 16 m). The lens features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses.

The rear gel holder holds up to 3 pre-cut filters. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time.

– For all EOS SLR cameras with imaging formats ranging from full-frame to APS-CDelivers 180 diagonal angle of view – Provides 180 circular fisheye images for full-frame cameras as well as full frame images when using the longer part of the zoom – Zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without vignetting for APS-C or APS-H sensors – Rear gel holder holds up to 3 pre-cut filters – Focus adjustment is through internal focusing and focus cam plus floating mechanism – The lens features UD glass and aspherical elements for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum – Full-time manual focus for instant switching from AF to Manual operation – Tight seal structure ensures excellent dust-proof and moisture-proof performance – Designed For Use With:ARRI ALEXA Mini EF-Mount – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Pocket Cinema Camera 6KBlackmagic Design Production 4K EF-Mount – Blackmagic Design URSA 4.

6K EF-Mount – Blackmagic Design URSA 4K EF-Mount – Blackmagic Design URSA Mini 4. 6K EF-Mount – Blackmagic Design URSA Mini 4K EF-Mount – Blackmagic Design URSA Mini Pro 4. 6K EF-Mount – Blackmagic Design URSA Mini Pro 4.

6K G2 EF-Mount – Canon EOS 1D XCanon EOS 1D X Mark IICanon EOS 1D X Mark IIICanon EOS 5D Mark IICanon EOS 5D Mark IIICanon EOS 5D Mark IVCanon EOS 5D Mark IV Canon Log – Canon EOS 5DSCanon EOS 5DS RCanon EOS 6DCanon EOS 6D Mark IICanon EOS 70DCanon EOS 77DCanon EOS 7D Mark IICanon EOS 80DCanon EOS 90DCanon EOS C100 EF-Mount – Canon EOS C100 Mark II EF-Mount – Canon EOS C200 EF-Mount – Canon EOS C300 EF-Mount – Canon EOS C300 Mark II EF-Mount – Canon EOS C300 Mark III EF-Mount – Canon EOS C500 EF-Mount – Canon EOS C500 Mark II EF-Mount – Canon EOS C700 EF-Mount – Canon EOS C700 FF EF-Mount – Canon EOS Rebel SL1Canon EOS Rebel SL2Canon EOS Rebel SL3Canon EOS Rebel T5Canon EOS Rebel T5i – Canon EOS Rebel T6Canon EOS Rebel T6i – Canon EOS Rebel T6s – Canon EOS Rebel T7Canon EOS Rebel T7i – Canon EOS Rebel T8i – Canon ME200S-SHCanon ME20F-SHJVC GY-LS300 MFT Mount – Panasonic AU-EVA1 EF-Mount – Panasonic Vari – Cam LT EF-Mount – RED DIGITAL CINEMA DSMC2 BRAIN EF-Mount – RED DIGITAL CINEMA EPIC-W EF-Mount – RED DIGITAL CINEMA RAVEN EF-Mount – RED DIGITAL CINEMA SCARLET-W EF-Mount – Z CAM E2-F6 EF-Mount – Z CAM E2-F8 EF-Mount – Z CAM E2-S6 EF-Mount.

The – EF 8-15mm f/4L Fisheye USM Lensfrom – Canondelivers 180 diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C. When the lens is used with full-frame cameras you can choose between a circular fisheye image or full-frame image by using the zoom.

– When used with EOS bodies featuring APS-C or APS-H sensors, the lens produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge.

‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor. For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the Canon EF 8-15mm f/4L Fisheye USM is a world-class choice.

– With its Ultrasonic Motor (USM), and Floating Focus System the lens offers fast auto focus even down to a close 6. 2 (0. 16 m). The lens features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses.

The rear gel holder holds up to 3 pre-cut filters. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time.

– For all EOS SLR cameras with imaging formats ranging from full-frame to APS-CDelivers 180 diagonal angle of view – Provides 180 circular fisheye images for full-frame cameras as well as full frame images when using the longer part of the zoom – Zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without vignetting for APS-C or APS-H sensors – Rear gel holder holds up to 3 pre-cut filters – Focus adjustment is through internal focusing and focus cam plus floating mechanism – The lens features UD glass and aspherical elements for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum – Full-time manual focus for instant switching from AF to Manual operation – Tight seal structure ensures excellent dust-proof and moisture-proof performance – Designed For Use With:ARRI ALEXA Mini EF-Mount – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Pocket Cinema Camera 6KBlackmagic Design Production 4K EF-Mount – Blackmagic Design URSA 4.

6K EF-Mount – Blackmagic Design URSA 4K EF-Mount – Blackmagic Design URSA Mini 4. 6K EF-Mount – Blackmagic Design URSA Mini 4K EF-Mount – Blackmagic Design URSA Mini Pro 4. 6K EF-Mount – Blackmagic Design URSA Mini Pro 4.

6K G2 EF-Mount – Canon EOS 1D XCanon EOS 1D X Mark IICanon EOS 1D X Mark IIICanon EOS 5D Mark IICanon EOS 5D Mark IIICanon EOS 5D Mark IVCanon EOS 5D Mark IV Canon Log – Canon EOS 5DSCanon EOS 5DS RCanon EOS 6DCanon EOS 6D Mark IICanon EOS 70DCanon EOS 77DCanon EOS 7D Mark IICanon EOS 80DCanon EOS 90DCanon EOS C100 EF-Mount – Canon EOS C100 Mark II EF-Mount – Canon EOS C200 EF-Mount – Canon EOS C300 EF-Mount – Canon EOS C300 Mark II EF-Mount – Canon EOS C300 Mark III EF-Mount – Canon EOS C500 EF-Mount – Canon EOS C500 Mark II EF-Mount – Canon EOS C700 EF-Mount – Canon EOS C700 FF EF-Mount – Canon EOS Rebel SL1Canon EOS Rebel SL2Canon EOS Rebel SL3Canon EOS Rebel T5Canon EOS Rebel T5i – Canon EOS Rebel T6Canon EOS Rebel T6i – Canon EOS Rebel T6s – Canon EOS Rebel T7Canon EOS Rebel T7i – Canon EOS Rebel T8i – Canon ME200S-SHCanon ME20F-SHJVC GY-LS300 MFT Mount – Panasonic AU-EVA1 EF-Mount – Panasonic Vari – Cam LT EF-Mount – RED DIGITAL CINEMA DSMC2 BRAIN EF-Mount – RED DIGITAL CINEMA EPIC-W EF-Mount – RED DIGITAL CINEMA RAVEN EF-Mount – RED DIGITAL CINEMA SCARLET-W EF-Mount – Z CAM E2-F6 EF-Mount – Z CAM E2-F8 EF-Mount – Z CAM E2-S6 EF-Mount.

Distinguished by its fast design and IS capabilities, the – Canonis a short telephoto prime well-suited to portraiture applications. As an L-series lens, it is characterized by a sophisticated optical layout that includes one glass-molded aspherical element to greatly reduce spherical aberrations and distortion for improved sharpness and clarity.

Individual elements also feature an Air Sphere coating (ASC) to suppress lens flare and ghosting for greater contrast and color fidelity in backlit situations. – Complementing the optical attributes, this lens also incorporates a four stop-effective optical image stabilization system that minimizes the appearance of camera shake for sharper handheld shooting.

A ring-type Ultrasonic Motor (USM) also affords quick and accurate autofocus performance, along with full-time manual focus override for fine-tuned control. Additionally, as with all L-series lenses, this 85mm f/1.

4 has a dust- and weather-resistant construction, as well as a fluorine coating on exposed elements, to benefit its use in harsh environmental conditions. – Portrait-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it will provide a 136mm equivalent focal length.

– Notably fast f/1. 4 maximum aperture offers extensive control over depth of field for working with selective focus techniques. This bright design also benefits working in low-light conditions. – One glass-molded aspherical element helps to reduce distortion and spherical aberrations for improved sharpness and clarity.

– An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. – A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.

– Optical image stabilization minimizes the effects of camera shake by compensating for up to four stops of shutter speed. – Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

– As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. – Fluorine-coating on exposed elements affords protection to the optical system, resists smudging and fingerprints, and is easier to clean.

– UPC: 013803290851Designed For Use With:ARRI ALEXA Mini EF-Mount – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Pocket Cinema Camera 6KBlackmagic Design Pocket Cinema Camera 6K Pro – Blackmagic Design Production 4K EF-Mount – Blackmagic Design URSA 4.

6K EF-Mount – Blackmagic Design URSA 4K EF-Mount – Blackmagic Design URSA Mini 4. 6K EF-Mount – Blackmagic Design URSA Mini 4K EF-Mount – Blackmagic Design URSA Mini Pro 4. 6K EF-Mount – Blackmagic Design URSA Mini Pro 4.

6K G2 EF-Mount – Canon EOS 1D XCanon EOS 1D X Mark IICanon EOS 1D X Mark IIICanon EOS 5D Mark IICanon EOS 5D Mark IIICanon EOS 5D Mark IVCanon EOS 5D Mark IV Canon Log – Canon EOS 5DSCanon EOS 5DS RCanon EOS 6DCanon EOS 6D Mark IICanon EOS 70DCanon EOS 77DCanon EOS 7D Mark IICanon EOS 80DCanon EOS 90DCanon EOS C100 EF-Mount – Canon EOS C100 Mark II EF-Mount – Canon EOS C200 EF-Mount – Canon EOS C300 EF-Mount – Canon EOS C300 Mark II EF-Mount – Canon EOS C300 Mark III EF-Mount – Canon EOS C500 EF-Mount – Canon EOS C500 Mark II EF-Mount – Canon EOS C700 EF-Mount – Canon EOS C700 FF EF-Mount – Canon EOS Rebel SL1Canon EOS Rebel SL2Canon EOS Rebel SL3Canon EOS Rebel T5Canon EOS Rebel T5i – Canon EOS Rebel T6Canon EOS Rebel T6i – Canon EOS Rebel T6s – Canon EOS Rebel T7Canon EOS Rebel T7i – Canon EOS Rebel T8i – Canon ME200S-SHJVC GY-LS300 MFT Mount – Other Brand EOS EOS-1D X Mark IIIPanasonic AU-EVA1 EF-Mount – Panasonic Vari – Cam LT EF-Mount – RED DIGITAL CINEMA DSMC2 BRAIN EF-Mount – RED DIGITAL CINEMA EPIC-W EF-Mount – RED DIGITAL CINEMA Komodo RF-Mount – RED DIGITAL CINEMA RAVEN EF-Mount – RED DIGITAL CINEMA SCARLET-W EF-Mount – Z CAM E2-F6 EF-Mount – Z CAM E2-F8 EF-Mount – Z CAM E2-S6 EF-Mount.

Distinguished by its fast design and IS capabilities, the – Canonis a short telephoto prime well-suited to portraiture applications. As an L-series lens, it is characterized by a sophisticated optical layout that includes one glass-molded aspherical element to greatly reduce spherical aberrations and distortion for improved sharpness and clarity.

Individual elements also feature an Air Sphere coating (ASC) to suppress lens flare and ghosting for greater contrast and color fidelity in backlit situations. – Complementing the optical attributes, this lens also incorporates a four stop-effective optical image stabilization system that minimizes the appearance of camera shake for sharper handheld shooting.

A ring-type Ultrasonic Motor (USM) also affords quick and accurate autofocus performance, along with full-time manual focus override for fine-tuned control. Additionally, as with all L-series lenses, this 85mm f/1.

4 has a dust- and weather-resistant construction, as well as a fluorine coating on exposed elements, to benefit its use in harsh environmental conditions. – Portrait-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it will provide a 136mm equivalent focal length.

– Notably fast f/1. 4 maximum aperture offers extensive control over depth of field for working with selective focus techniques. This bright design also benefits working in low-light conditions. – One glass-molded aspherical element helps to reduce distortion and spherical aberrations for improved sharpness and clarity.

– An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. – A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.

– Optical image stabilization minimizes the effects of camera shake by compensating for up to four stops of shutter speed. – Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

– As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. – Fluorine-coating on exposed elements affords protection to the optical system, resists smudging and fingerprints, and is easier to clean.

– UPC: 013803290851Designed For Use With:ARRI ALEXA Mini EF-Mount – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Pocket Cinema Camera 6KBlackmagic Design Pocket Cinema Camera 6K Pro – Blackmagic Design Production 4K EF-Mount – Blackmagic Design URSA 4.

6K EF-Mount – Blackmagic Design URSA 4K EF-Mount – Blackmagic Design URSA Mini 4. 6K EF-Mount – Blackmagic Design URSA Mini 4K EF-Mount – Blackmagic Design URSA Mini Pro 4. 6K EF-Mount – Blackmagic Design URSA Mini Pro 4.

6K G2 EF-Mount – Canon EOS 1D XCanon EOS 1D X Mark IICanon EOS 1D X Mark IIICanon EOS 5D Mark IICanon EOS 5D Mark IIICanon EOS 5D Mark IVCanon EOS 5D Mark IV Canon Log – Canon EOS 5DSCanon EOS 5DS RCanon EOS 6DCanon EOS 6D Mark IICanon EOS 70DCanon EOS 77DCanon EOS 7D Mark IICanon EOS 80DCanon EOS 90DCanon EOS C100 EF-Mount – Canon EOS C100 Mark II EF-Mount – Canon EOS C200 EF-Mount – Canon EOS C300 EF-Mount – Canon EOS C300 Mark II EF-Mount – Canon EOS C300 Mark III EF-Mount – Canon EOS C500 EF-Mount – Canon EOS C500 Mark II EF-Mount – Canon EOS C700 EF-Mount – Canon EOS C700 FF EF-Mount – Canon EOS Rebel SL1Canon EOS Rebel SL2Canon EOS Rebel SL3Canon EOS Rebel T5Canon EOS Rebel T5i – Canon EOS Rebel T6Canon EOS Rebel T6i – Canon EOS Rebel T6s – Canon EOS Rebel T7Canon EOS Rebel T7i – Canon EOS Rebel T8i – Canon ME200S-SHJVC GY-LS300 MFT Mount – Other Brand EOS EOS-1D X Mark IIIPanasonic AU-EVA1 EF-Mount – Panasonic Vari – Cam LT EF-Mount – RED DIGITAL CINEMA DSMC2 BRAIN EF-Mount – RED DIGITAL CINEMA EPIC-W EF-Mount – RED DIGITAL CINEMA Komodo RF-Mount – RED DIGITAL CINEMA RAVEN EF-Mount – RED DIGITAL CINEMA SCARLET-W EF-Mount – Z CAM E2-F6 EF-Mount – Z CAM E2-F8 EF-Mount – Z CAM E2-S6 EF-Mount.

This redesigned – Canonups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject.

In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.

– A ring-type USM and high-speed CPU with optimized AF algorithms ensure silent, fast autofocusing. – The lens isconstructed with improved dust sealing and water resistance, while fluorine coatings on the front and rear lensreduce fingerprints and smearing.

A circular 9-blade diaphragm gives beautiful, soft backgrounds. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.

– Large aperture L-Series standard zoom lens that combines high image quality and enhanced durability. Constant f/2. 8 maximum aperture for effective imaging in low light and shallow depth of field. – New optical design utilizes one Super UD lens element and two UD lens elements to minimize chromatic aberration in the outer area at wide-angle; as well as eliminates color blurring around the edges of the subject, for images with high resolution and contrast.

– Combines two types of aspherical elements to reduce spherical aberration, and achieve high image quality across the entire screen area and throughout the full zoom range. – Highly resistant to dust and water, enabling shooting even in harsh and rigorous conditions.

– Nine-blade circular diaphragm delivers beautiful, soft backgrounds. – Ring USM, high-speed CPU, and optimized AF algorithms for fast autofocusing. – Manual focus override in One Shot AF mode allows precise manual focus even in AF mode.

– Optimized lens coatings ensure exceptional color balance while minimizing ghosting. – Fluorine coating on front and rear lens surfaces reduces smears and fingerprints. – Zoom lock lever locks the zoom position at the wide end for safe transporting.

– Designed For Use With:ARRI ALEXA Mini EF-Mount – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Cinema Camera – Blackmagic Design Pocket Cinema Camera 6KBlackmagic Design Production 4K EF-Mount – Blackmagic Design URSA 4.

6K EF-Mount – Blackmagic Design URSA 4K EF-Mount – Blackmagic Design URSA Mini 4. 6K EF-Mount – Blackmagic Design URSA Mini 4K EF-Mount – Blackmagic Design URSA Mini Pro 4. 6K EF-Mount – Blackmagic Design URSA Mini Pro 4.

6K G2 EF-Mount – Canon EOS 1D XCanon EOS 1D X Mark IICanon EOS 1D X Mark IIICanon EOS 5D Mark IICanon EOS 5D Mark IIICanon EOS 5D Mark IVCanon EOS 5D Mark IV Canon Log – Canon EOS 5DSCanon EOS 5DS RCanon EOS 6DCanon EOS 6D Mark IICanon EOS 70DCanon EOS 77DCanon EOS 7DCanon EOS 7D Mark IICanon EOS 80DCanon EOS 90DCanon EOS C100 EF-Mount – Canon EOS C100 Mark II EF-Mount – Canon EOS C200 EF-Mount – Canon EOS C300 EF-Mount – Canon EOS C300 Mark II EF-Mount – Canon EOS C300 Mark III EF-Mount – Canon EOS C500 EF-Mount – Canon EOS C500 Mark II EF-Mount – Canon EOS C700 EF-Mount – Canon EOS C700 FF EF-Mount – Canon EOS Rebel SL1Canon EOS Rebel SL2Canon EOS Rebel SL3Canon EOS Rebel T5Canon EOS Rebel T5i – Canon EOS Rebel T6Canon EOS Rebel T6i – Canon EOS Rebel T6s – Canon EOS Rebel T7Canon EOS Rebel T7i – Canon EOS Rebel T8i – JVC GY-LS300 MFT Mount – Other Brand EOS EOS-1D X Mark IIIPanasonic AU-EVA1 EF-Mount – Panasonic Vari – Cam LT EF-Mount – RED DIGITAL CINEMA DSMC2 BRAIN EF-Mount – RED DIGITAL CINEMA EPIC-W EF-Mount – RED DIGITAL CINEMA RAVEN EF-Mount – RED DIGITAL CINEMA SCARLET-W EF-Mount – Z CAM E2-F6 EF-Mount – Z CAM E2-F8 EF-Mount – Z CAM E2-S6 EF-Mount.

Compatible with Micro 4/3, Micro4/3, MFT, M43 cameras Lens Not Attached:MANUAL LENS need you to enable”M mode” or “Release without lens” in the setting of camera,Lens Type: 25mm fixed focal length Lens construction: 8 groups 10 element 4/3 “frame view: level: 40.

6 °/ vertical: 31 °/ diagonal: 49. 7 ° Constructed of the aircraft grade aluminum and optical glass elements with multi-coating for color consistency.

Compatible with extremely high quality Micro Four Thirds lenses. Super wide 13 stops of dynamic range allows capture for high end feature film look. Up to 25600 ISO for incredible low light performance.

Introducing the next generation handheld 4K digital film camera! The revolutionary new Pocket Cinema Camera 4K is the camera you’ve been asking for! It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand! The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600.

That means you get stunning HDR images and incredible low light performance! The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings.

Images are recorded onto standard SD/UHS-II or CFast 2. 0 cards in RAW and ProRes at up to 120 frames per second! In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more! Portable, Affordable and Professional Now you can shoot anything in 4K! The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere.

It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design color science and RAW recording features let you shoo.

Designed for Blackmagic URSA Broadcast Provides the best lens performance for Blackmagic URSA Broadcast with 4K and HD Resolution. Compact and lightweight with 4K Resolution The lens weights approx. 1.

6kg thanks in part due to its unique a rear focus mechanism design. The rear focus mechanism enables the weight of the lens to be reduced to approx. 1. 6kg. The size provides optimal balance with Blackmagic URSA Broadcast with 14K performance.

Featuring a 16x zoom ratio suitable for EFP news and studio shooting. Electronic flange back adjustment with macro switch function This new function increases convenience when shooting. Handheld style The compact body weighing approx.

1. 6kg provides the optimal balance with the Blackmagic URSA Broadcast, reducing the burden of shooting handheld and provides excellent operability. EFP/Studio Style The use of Fujinon accessories enables precise control of zoom and focus while on a tripod.

Mounting the camera on a tripod also enables efficient studio or field style shooting. Electronic flange back adjustment function A single button on the lens provides electronic flange back adjustment to allow focus while performing zoom operations.

The electronic system provides faster and more efficient adjustment. Macro function The macro function allows for closer shooting than MOD up to 0. 05m by operation of the unique focus ring. This enables spectacular close-up images at 4K resolution.

TTArtisan APS-C 23mm f1. 4 lens adopts an optical structure of 8 elements in 6 groups,including one low dispersion elements and three high refractive elements ensure the image quality. Specially made for APS-C frame models, also a good lens for storytelling.

23mm focus length is equivalent to 35mm of full frame, which is known as the “eye of humanity”. It provides wonderful and soft bokeh with the maximum aperture f1. 4, support images with low ISO in dark light environment to ensure high image quality.

“Eye of humanity” 35mm focus length which is known as the “Eye of Humanities”. 23mm APS-C is equivalent to 35mm, you can use this lens virtually in every situation. Multi-role lens It can also shoot the landscape and humanities with equivalent to 35mm,get a double advantage and makes your focusing life much easier.

Large aperture of F1. 4 Bokeh often increase an aesthetic, romantic and warm atmosphere to photos,fast f/1. 4 maximum aperture provides better condition for createing a wonderful bokeh. Retro and elegant appearance The retro look shows acme of elegance when you shooting.

Brings you full of gratification even just looking at it. Design of Clicked Aperture Skillful manufacture,brings you a master photography experience.

The NEW Samyang 14mm Ultra-Wide Angle F/2. 8 IF ED UMC Lens is the highest quality affordably priced 14mm lens on the market. It is designed for full frame cameras and is fully compatible with APS-C cameras as well.

The lens construction is 14 elements in 12 groups and features 2 ED lens elements, one hybrid and one glass spherical lens element. All of these lens elements combine to minimize distortion and chromatic aberrations.

The lens features a remarkable 115. 7 Degree angle of view on full-frame cameras and a 93. 9 Degree angle of view on APS-C cameras. This fantastic lens is now available for Mirror less camera bodies including: Sony E-mount (NEX), Micro four-thirds, and Fuji X.

Like the ULTRA series for Mirco Four-Thirds mount, the new BMPCC4K Speed Booster? ULTRA 0. 71x uses an advanced 6-element 4-group optical design incorporating ultra-high index tantalum-based optical glass.

However, the new design is specifically optimized for the BMPCC4K sensor and filter stack and as a result, achieves an astonishing level of performance that sets a new standard for focal reducers. Metabones ARRI PL to BMPCC4K Speed Booster adapters is designed exclusively for Blackmagic Design Pocket Cinema Camera 4K (BMPCC4K).

They cannot be attached to any other M43 cameras such as JVC, Olympus or Panasonic cameras. The BMPCC4K Speed Booster ULTRA 0. 71x reduces the crop factor of the BMPCC 4K camera from 2. 02x to 1. 43x and produces the largest aperture optics currently available, with a maximum output aperture of f/0.

9. Limitations. Metabones PL T CINE Speed Booster adapters are designed exclusively for the Zeiss CP. 2, CZ. 2 and CP. 3 lenses. Compatible with Blackmagic Design MFT-mount camera only. When this Speed Booster is used with other MFT camera(Panasonic, Olympus and JVC), it may cause damage to the camera.

Rokinon 14mm f/2. 8 IF ED MC Super Wide Angle, Manual Focus Lens for Pentax The Rokinon 14mm f/2. 8 IF ED MC Super Wide Angle Lens for Pentax gives you approximately a 115deg. view with dramatic results when used with a full frame digital camera or 35mm film camera.

With hybrid aspherical lenses, you will produce sharply defined images with a minimum of distortion and chromatic aberrations. This manual focus 14mm lens focuses as close as 0. 9′ (0. 27m) from the lens and has a built-in petal-type lens hood.

With some cameras, Shutter Lock must be disengaged on the camera’s menu.

L’obiettivo anamorfico SIRUI produce un cerchio d’immagine abbastanza grande da coprire i sensori APS-C. Poiché il campo visivo è anamorfico, è più ampio di qualsiasi obiettivo convenzionale da 24 mm.

Aumenta il campo visivo fino al 33%. Con un’impostazione del sensore di 16:9, l’immagine risultante ha un rapporto di aspetto di 2. 4:1 widescreen. Questo obiettivo SIRUI ha le caratteristiche tipiche di un vero obiettivo cinematografico anamorfico, come gli effetti di controluce e di lente (flares) e il bokeh ovale.

L’obiettivo è dotato di una messa a fuoco manuale, nella dotazione ci sono due anelli dentati per la regolazione della messa a fuoco e del diaframma.

Designed with a 33. 6mm image circle to cover Super 35 sensor cameras such as the RED KOMODO, Blackmagic Pocket Cinema Camera 6K, Z CAM S6, Canon C500, or Sony FS5 II, the PL-mount 50mm T2. 1 Super 35 Cine Prime Lens from Meike is suitable for 6K resolution capture.

It features cine-standard 0. 8 MOD focus and iris gears and an 11-blade iris for smooth bokeh. This lens also features multiple coatings for minimal ghosting and flaring, and it offers 270° of focus barrel rotation.

For easier focus pulls, the focus scales are marked in both feet and meters on both sides of the lens barrel. The T2. 1 maximum aperture on this lens enables working in lower light levels and increases your control over the depth of field.

Additional features include a 22. 8″ close focus and an 80mm front diameter compatible with many matte boxes and adapters.