24 Best Lens For Sports Videography (2023 Updated)

Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is a Canon L-series lens distinguished by its constant f/4 maximum aperture, sophisticated optical design, and use of image stabilization to realize sharp imagery.

Two ultra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations throughout the zoom range for high clarity and color accuracy, and a Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast.

Three aspherical elements are also featured and help to control distortion and minimize spherical aberrations for improved sharpness.

This lens is a versatile choice for travel, landscapes, portraits, and distant subjects. It’s extremely lightweight and portable, making it easy to carry around. Constant f/2. 8 maximum aperture offers consistent performance and excellent light transmission throughout the zoom range.

Full-time manual focus operation is available for fine-tuning of your focus position when working in the AF mode. It comes with 9-Blade Diaphragm. The EF 16-35mm f/2. 8L III USM is an indispensable ultra wide-angle zoom lens for professional and enthusiast photographers who demand superlative operation and performance, in virtually any condition.

Its 16-35mm focal range provides superb control of perspective, helping you capture pictures and movies with amazing, dramatic compositions limited only by your imagination.

Sony FE 12-24mm f/2. 8 GM Overview Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2. 8 GM is a bright and versatile zoom characterized by its broad range and bright design. Featuring a constant f/2.

8 maximum aperture, this lens is ideal for working in available lighting conditions and controlling depth of field to isolate subject matter. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy.

An updated Nano AR Coating II has also been applied, which suppresses flare and ghosting for greater contrast when working in bright and backlit conditions. Complementing the optics is an XD Linear Motor system that uses four separate focusing motors to deliver especially quiet, precise, and quick autofocus performance.

A floating focus design is employed, too, that aids in maintaining consistent results throughout the focusing range, from 11″ to infinity. The lens also sports a dust- and moisture-sealed design and fluorine-coated front lens element to support shooting in inclement conditions and there is a built-in petal-shaped lens hood to block stray light and physically protect the front element.

Capture stunning images from far away with this Canon RF 70-200mm long telephoto lens. Nano USM technology delivers up to five stops of shake correction and smooth, high-speed autofocus for clear picture quality, and the f/2.

8 aperture ensures beautiful results in a range of lighting conditions. A compact, lightweight design keeps your camera easy to handle. Equipped with a thoughtfully positioned control ring, this Canon RF 70-200mm long telephoto lens offers effortless setting adjustments.

Experience the possibilities with the RF 24-70mm F2. 8 L IS USM lens. Designed for the EOS R full-frame mirrorless camera system, this compact L-series lens combines a bright f/2. 8 maximum aperture with a standard focal length zoom range, making it a versatile, all-purpose lens for all types of photography ventures.

From portraits and landscapes, to travel and everyday moments, the RF 24-70mm F2. 8 L IS USM is engineered to cover a range of subjects extending from 0. 69 ft. /0. 21m (wide) to 1. 25 ft. /0. 38m (telephoto).

Enjoy enhanced video performance, especially when tracking moving subjects, thanks to Canons Nano USM technology for accurate and silent AF, and reduced focus breathing for more seamless focus transitions.

Plus, you can ensure your images stay sharp and steady – whether shooting handheld or in poorly-lit situations – with up to 5 stops of shake correction. For an added layer of protection, the RF 24-70mm F2.

8 L IS USM also features a dust- and weather-resistant construction with a fluorine coating, helping keep this powerful lens safeguarded wherever you go.

The Sony FE 35mm f/1. 4 GM is a lightweight wide-angle prime with an updated, sleek design. It is characterized by its speed and relatively compact form factor. The versatile focal length suits everything from street shooting to landscape and documentary subjects.

The fast maximum aperture excels in low light and offers beautiful creamy background bokeh. The built-in XD Linear Motors enables fast, precise AF and tracking. Also, as a G Master lens, it features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.

Sony FE 20mm f/1. 8 G Lens Presenting an ultra-wide field of view, the Sony FE 20mm f/1. 8 G is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling.

The optical design incorporates a pair of aspherical elements and three extra-low dispersion elements to greatly reduce a variety of aberrations and distortion. A Nano AR Coating has also been applied to further reduce surface reflections and flare for improved contrast when working in bright and backlit conditions.

Benefitting the optics, this lens also sports a dual XD Linear Motor system that is quick and quiet, and also lends more responsive control for manual focus operation. The lens also has a dust- and moisture-sealed design, along with a fluorine coating, to support shooting in inclement conditions.

The RF70-200mm F4 L IS USM is a telephoto zoom lens delivering impressive image quality along with superb mobility as our shortest and lightest 70-200mm f/4 lens to date. Designed for the EOS R System, this lens takes advantage of the large diameter mount and short back focus distance of the RF mount to maintain high image quality while being more compact and portable so you’ll be even more inclined to take it with you on your travels.

Results are stunning thanks to 4 UD lenses which help correct chromatic aberration and keep colors vivid, reduced ghosting provided by Air-Sphere Coating (ASC), and Optical Image Stabilization plus coordinated Optical Image Stabilizer and In-Body Image Stabilizer for amazingly clear, crisp images at slow shutter speeds and smooth video footage.

There are also dual Nano USMs contributing to a short minimum focusing distance and high-speed autofocus for still shooting and near-silent, smooth autofocus during movie shooting. These features and more, combined with the confidence to shoot in almost any condition with dust- and weather resistant seals and fluorine coating, make the RF70-200mm F4 L IS USM lens a solid performer for any situation.

Features Canon’s Shortest and Lightest 70-200mm f/4 Interchangeable Zoom Lens Convenience is a major consideration when shooting, and the RF70-200mm F4 L IS USM lens is our most compact and lightest 70-200mm f/4 lens, making it even more appealing to use for your photo and video opportunities.

As a more portable 70-200mm option than our EF version, this new RF lens is easier to fit into a messenger bag as well as a camera backpack vertically so it’s always on-hand and ready to go.

The Sony FE 35mm f/1. 4 GM is a lightweight wide-angle prime with an updated, sleek design. It is characterized by its speed and relatively compact form factor. The versatile focal length suits everything from street shooting to landscape and documentary subjects.

The fast maximum aperture excels in low light and offers beautiful creamy background bokeh. The built-in XD Linear Motors enables fast, precise AF and tracking. Also, as a G Master lens, it features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.

Experience the possibilities with the RF 24-70mm F2. 8 L IS USM lens. Designed for the EOS R full-frame mirrorless camera system, this compact L-series lens combines a bright f/2. 8 maximum aperture with a standard focal length zoom range, making it a versatile, all-purpose lens for all types of photography ventures.

From portraits and landscapes, to travel and everyday moments, the RF 24-70mm F2. 8 L IS USM is engineered to cover a range of subjects extending from 0. 69 ft. /0. 21m (wide) to 1. 25 ft. /0. 38m (telephoto).

Enjoy enhanced video performance, especially when tracking moving subjects, thanks to Canons Nano USM technology for accurate and silent AF, and reduced focus breathing for more seamless focus transitions.

Plus, you can ensure your images stay sharp and steady – whether shooting handheld or in poorly-lit situations – with up to 5 stops of shake correction. For an added layer of protection, the RF 24-70mm F2.

8 L IS USM also features a dust- and weather-resistant construction with a fluorine coating, helping keep this powerful lens safeguarded wherever you go.

The Sigma 14-24mm f/2. 8 DG DN Art Lens has been developed as the ultimate large-diameter, wide-angle zoom lens by optimizing the standard specifications for photographing starry skies for full-frame mirrorless cameras.

The uniform rendering performance and outstanding resolution to the edge of the frame make it the “definitive lens for astrophotography. ” By utilizing the characteristics of the short flange focal length, this new-generation large-diameter zoom lens combines both compact body and unprecedented high-resolution image quality.

Image Quality 1 FLD glass and 5 SLD glass elements are appropriately arranged to suppress chromatic aberration to the edge of the frame. 3 aspherical lenses, including a large-diameter aspherical lens at the foremost surface, are used to effectively minimize coma flare, etc.

, thereby achieving mind-blowing resolution. The super multi-layer coating is combined with a newly developed Nano Porous Coating. The lens has been designed to be less susceptible to strong incident light.

Functions Incorporating a stepping motor enables the high speed, quiet AF drive. Shooting is comfortable even in target AF such as Face/Eye Detection AF and during video shooting. The AFL button which can be assigned with various functions widens the range of operations available on the lens.

Furthermore, the lens features a dust- and splash-proof structure, along with a water- and oil-repellent coating on the frontmost surface of the lens, which further supports shooting in various environments.

The power of a Phase Fresnel lens in a revolutionary 300mm. Introducing a thrilling new 300mm f/4 prime lens capable of changing the way pro and serious enthusiasts shoot. At just 147. 5mm long and 755g-over 30% shorter and 1.

5lbs lighter than its predecessor-the AF-S NIKKOR 300mm f/4E PF ED VR is the world’s lightest 300mm full-frame AF lens. (As of January 5, 2015. Statement based on Nikon research. ) The secret to its remarkable size? A Nikon-designed Phase Fresnel (PF) lens element, a first for the NIKKOR DSLR lens lineup.

But handling isn’t the only advantage; the PF element also performs brilliantly-achieve new levels of sharpness and clarity with virtually no chromatic aberration or ghosting. Whether you shoot fashion, portraits, nature, wildlife, sports, action or today’s big stories, the AF-S NIKKOR 300mm f/4E PF ED VR will help you capture stunning views of the decisive moment.

The Nikon 70-200mm F2. 8 peformance upgrades from its predecessor in sports, action and news shooting. Improvements include enhanced AF tracking and exposure control, edge-to-edge sharpness, minimum focus distance and a new magnesium-alloy lens barrel.

Six ED glass elements, Fluorite and High Refractive lens elements and Nano Crystal Coat all but eliminate distortion and glare and maximise contrast and sharpness. The constant f2. 8 maximum aperture produces stunning background bokeh.

The NIKKOR 70-200mm f2. 8E FL ED VR has four focus function buttons right on the lens barrel, perfect for engaging autofocus or AF Lock with compatible camera models. The zoom and focus rings also have reversed positions for more comfortable, stable zooming.

Shoot with the aperture wide open at f/2. 8 across the entire zoom range for sharp, bright images with smooth, creamy background blur. Close focus has been improved from 4. 6 feet (1. 4m) to approx. 3.

6 feet (1. 1m), allowing for stunning close-up portraits. An all new weather-sealing design ensures you can keep shooting through nearly any weather condition. Every movable part of the lens barrel are sealed for dust and water drop resistance.

Also the front lens element is coated with Nikon’s non-stick Fluorine coat, resisting dirt, fingerprints and smudges. Nikon’s VR image stabilization has been enhanced from 3. 5 stops to up to ~4. 0 stops, a must-have feature when working handheld, on a monopod or even a tripod.

A Sports Mode is optimized for camera pans and fast-action sports, and the Tripod Mode eliminates the subtle ground vibrations that are constantly passing through a tripod or monopod.

The Canon EF 70- 200mm f/2. 8L IS III USM Lens provides high image quality with one fluorite element and five UD elements. It is highly resistant to dust and water, and has an improved durability even in harsh conditions.

A fluorine coating on the front and rear elements helps reduce smears and fingerprints. Focus The lens has a minimum focusing distance of 3. 9 ft. /1. 2m. It has full-time manual focus, and an inner focusing system with ring ultra-sonic motor.

Optical Image Stabilization The lens has Optical Image Stabilization at up to 3. 5 stops of shake correction. Air Sphere Coating The Canon EF 70-200mm f/4L IS II USM Lens has an air sphere coating (ASC) that minimizes ghosting and flare.

Size: One size.

A popular zoom among sports, event, and portrait photographers, the Nikkor Z 70-200mm f/2. 8 VR S from Nikon is an impressively versatile telephoto lens characterized by its bright f/2. 8 design. The fast maximum aperture suits working in available lighting conditions and also affords increased control over depth of field for isolating subjects with selective focus.

The optical design incorporates a series of ED, fluorite, and SR elements, which help to reduce color fringing and chromatic aberrations throughout the zoom range for improved clarity and color accuracy.

Additionally, ARNEO and Nano Crystal Coats, as well as a Super Integrated Coating, have been applied to suppress flare, ghosting, and surface reflections for improved contrast and color fidelity. Complementing the optical design, a multi-focus system, which employs two stepping motors, helps to realize impressively fast, accurate, and quiet focus performance, along with full-time manual focus override, to suit both stills and video needs.

Vibration Reduction further complements making sharp images by reducing the appearance of camera shake when shooting handheld. The lens also has a unique physical design, which incorporates a top OLED information panel that can be used to quickly confirm aperture and focus settings, and an assignable L.

“Fn” button permits making exposure and settings adjustments via the lens. Additionally, a programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings.

Versatile zoom is designed for FX-format Z-mount mirrorless cameras, however, can also be used with DX-format models where it provides a 105-300mm equivalent focal length range.

Characterized by its flattering perspective and fast f/1. 4 maximum aperture, this lens is adept at isolation focus for shallow depth of field effects, as well as performing in low-light conditions. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and one XA (extreme aspherical) element, which significantly controls spherical aberrations for a high degree of image sharpness and clarity.

Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. Pairing a bright f/1. 4 aperture with a short-telephoto focal length, this 85mm lens is ideally suited for portraiture and other situations where focus control is paramount.

Complementing the optical assets, this lens is also notable for its inclusion of an 11-blade circular diaphragm to produce smooth, soft-edged bokeh with selective focus imagery. For controlling focus, a linear SSM (Super Sonic wave Motor) is employed that is quick and quiet, and also lends more responsive control for manual focus operation.

The lens also sports a dust- and moisture-sealed design to support shooting in inclement conditions and a dedicated focus hold button, Af/mf switch, and manual aperture ring lend further control while shooting.

Product Highlights: “.

The – Canonis a relatively light telephoto zoom lens offering a broad range of focal lengths from a single optic, with good optical quality and excellent autofocus performance from its ultrasonic (USM) motor.

It has a circular aperture diaphragm to help create natural out-of-focus highlights, and its built-in image stabilizer allows you to handhold the lens at shutter speeds 3 steps slower than would otherwise be possible.

This enables sharp imaging when shooting at telephoto lengths and even when shooting in low light. The two-modestabilizer can be activated to only correct shake in the vertical axis for panning action when desired as well.

– The lens’ USM AF is very quick, smooth and silent, and it features a zoom lock button that keeps the lens safe and secure when not in use or when being used at the shortest 70mm focal length setting.

The EF 70-300mm f/4-5. 6 has Canon’s Super Spectra lens coatings for ideal flare-resistance, and is ideal for travel, sports, and general photographic applications. – A versatile telephoto zoom lens for both film and digital cameras, it provides a wide focal range that can encompass portraiture and of course magnify distant subjects.

When used on an APS-C format camera, its equivalent focal length range is 112-480mm. – Two-mode optical image stabilization compensates for camera shake and enables shutter speeds 3-steps slower than would otherwise be possible without incurring image blur.

Mode 2 is best used when tracking a moving subject. – An ultrasonic autofocus motor (USM) provides fast and silent AF action. – UD (Ultra-low Dispersion) lens element reduces secondary spectrum aberration.

– Circular aperture diaphragm for natural-looking out of focus highlights – Canon Super Spectra lens coatings to suppress flare and ghosting – Zoom ring lock keeps zoom at 70mm and prevents lens ‘creeping’ during movement or even while shooting.

A fast and flexible wide-angle zoom, the FE 16-35mm f/2. 8 GM Lens from Sony is a wide-angle zoom designed for full-frame E-mount mirrorless cameras. Distinguished by its constant f/2. 8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions.

The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity.

Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. <> Complementing the optical assets, this lens is also notable for its inclusion of an 11-blade circular diaphragm to produce smooth, soft-edged bokeh with selective focus imagery.

For controlling focus, two Direct Drive SSM AF groups are employed that are quick and quiet, and also lend more responsive control for manual focus operation. The lens also sports a dust- and moisture-sealed design to support shooting in inclement conditions and a dedicated focus hold button and AF/MF switch.

As part of Sony’s esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.

Wide-angle zoom designed for full-frame E-mount mirrorless cameras, this lens is also compatible with APS-C models where it provides a 24-52. 5mm equivalent focal length range. Constant f/2. 8 maximum aperture offers consistent performance throughout the zoom range for working in difficult lighting conditions.

Two XA (extreme aspherical) elements and three aspherical elements are incorporated into the optical design, which feature superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.

Two extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality. A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.

Two Direct Drive SSM (DDSSM) autofocus groups offer quick, quiet, and precise focusing performance that is ideal for both stills and video applications. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

Additionally, the front element has a fluorine coating to guard against fingerprints and dust from adhering to it. Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

In the Box Sony FE 16-35mm f/2. 8 GM Lens Lens Hood Front Lens Cap Rear Lens Cap.

G Master resolution without compromise The compact, lightweight FE 50 mm F1. 2 GM is an ideal choice for dedicated creators. XA (extreme aspherical) elements and other advanced technologies combine to achieve extraordinary resolution and contrast from the image centre right out to the edges.

Sony Nano AR Coating II subdues flare and ghosting, while a floating focus mechanism ensures optimum sharpness at any focusing distance. Smooth, refined G Master bokeh XA elements plus painstaking spherical aberration control at the design and manufacturing stages contribute to gorgeous G Master bokeh that can really make portrait and other subjects stand out—especially with the shallow depth of field available at the lens’s maximum F1.

2 aperture. An 11-blade circular aperture mechanism contributes to beautifully circular bokeh. Fast, precise, quiet AF and tracking Fast, accurate focus is assured—even with extremely shallow 50‐mm F1.

2 depth of field. Four XD (extreme dynamic) Linear Motors smoothly deliver high thrust to position the large, heavy focus groups for fast, accurate AF. Original Sony E-mount lens technology ensures that you get maximum performance from E-mount bodies—for both stills and movies.

Professional mobility 87 mm (3. 5) in diameter, 108 mm (4. 38) long, and weighing just 778 grams (27. 5 oz), the FE 50 mm F1. 2 GM complements compact, high-performance E-mount bodies to create a system that gives serious shooters the mobility and handling.

Three XA elements and four XD Linear Motors in a large-aperture lens that is surprisingly compact offer extraordinary creative potential.

Mixing a comfortable wide-angle design with an ultra-fast maximum aperture, this 16mm f/1. 4 DC DN Contemporary Lens from Sigma is a 24mm-equivalent prime for APS-C-format Sony E-mount mirrorless cameras.

Characterized by its bright f/1. 4 maximum aperture, this lens is adept at working in low-light conditions, and also affords increased control over depth of field for selective focus control. The optical design makes use of several low dispersion and aspherical glass elements to control color fringing and various aberrations in order to provide high sharpness and clarity throughout the aperture range.

Individual elements also feature Sigma’s Super Multi-Layer Coating to suppress flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions. Benefitting the optical assets, this lens also sports a stepping AF motor for quick, quiet, and smooth focusing performance that suits both still photography as well as video applications.

Additionally, a weather-sealed, durable construction enables this 16mm f/1. 4 to excel in inclement weather conditions.

Canon TS-E 50mm f/2. 8L Tilt and Shift Macro Lens – Canon EF The TS-E 50mm is perfect for capturing creative outstanding and accurate images across landscapes architecture and in the studio while the TS-E 90mm and TS-E 135mm are better suited for portraiture and macro photography in the studio.

The shift function enables the lens to be shifted up down left or right allowing for minimisation of perspective distortion. This capability is used regularly in architecture photography as it allows for image perspective to be corrected such as the inherent distortion witnessed at the top of an image of a tall building.

One of the creative uses of the tilt function is the miniature effect. This involves moving the lens so that different elements of an image stay in focus making certain aspects look very small. Continuing the tradition of Canons use of the highest quality superior precision moulded glass enable high-resolution to the edge of the image and very low levels of distortion.

All three lenses feature innovative optical designs to cut down refracted light which can impinge on accurate focusing and UD (ultra-low dispersion) lens elements to produce sharper images. Optimised lens coatings ensure excellent colour balance while simultaneously minimising the chance for ghosting to impact image quality.

Outstanding Image Quality, 1200mm Super-telephoto Fixed Focal Length Lens Expands the EOS R System. The Canon RF 1200mm f/8 is a high-quality lens that is perfect for capturing sharp images with minimal color fringing.

This lens is perfect for anyone who wants to capture beautiful images in any shooting condition. The Fluorite elements in this lens help to provide outstanding sharpness and contrast, while the UD-glass element helps to reduce chromatic aberration.

This lens also features a rear UD-lens element that provides excellent correction of increased chromatic aberration. This Canon RF 1200mm f/8 lens is a must-have for anyone who wants to take beautiful, high-quality images.

Impressively Light at 7. 4 lbs. , While Retaining High Levels of Image Quality. Numerous optical and mechanical steps combine to make the RF1200mm F8 L IS USM supremely light weight for its focal length, transforming it into a lens that’s equally at home in situations requiring mobility and portability such as when shooting motorsports and wildlife, or if used with a tripod to keep it fixed on a subject such as home plate if shooting at a baseball game.

Since it uses the same front-section optical design as the EF version III and RF600mm F4 L-series lenses, similar superb image quality can be expected, delivering visual impact with its amazing telephoto power.

Minimum Focusing Distance of Approx. 14. 1 ft. / 4. 3 m. With a minimum focusing distance of approx. 14. 1 ft. /4. 3 m. , the RF1200mm F8 L IS USM lens helps you get close to your subjects. At its closest focus distance, users can fill the frame with a subject smaller than a regulation, pro-sized US football.

Get ready to capture the action. The EF 600 mm f/4L IS III USM offers professional and advanced photographers the excellent image quality of a Canon L series super telephoto lens in a significantly lighter body than its predecessor.

For brilliantly clear results even in challenging situations, Super Spectra Coatings (SSC) and Air Sphere Coatings (ASC) help minimize ghosting and flare. The inclusion of heat-rejecting paint and two-layer barrel structure helps you shoot longer even in hot weather.

Usability is further improved with a shorter minimum focusing distance, full-time manual AF and two easily selectable focus presets to help you quickly dial in the shot you want. Highly versatile, the EF 600 mm f/4L IS III USM makes it easy to bring the action clear and up close in virtually any situation.

The ultra-wide 12mm fills your frame with full scenes of Landscapes architecture street views and even sports. Furthermore the fast f/2. 8 aperture captures breath taking night scenes starry skies and low-light images whether indoors or out and without having to over increase ISO or slowing your shutter speed.

Spectacular ResolutionThe FE 12-24mm f/2. 8 GM incorporates three extremely precise XA (extreme aspherical) elements – manufactured to 0. 01-micron surface precision – in an innovative optical design that achieves stunning G Master resolution throughout the image area while delivering smooth creamy bokeh in out-of-focus areas.

The largest XA element ever made for an Alpha lens is first in the optical path followed by one more XA elements and an aspherical element with the final XA element at the back of the lens group effectively minimizing astigmatism coma and field curvature for incredibly sharp images from the center right out to the image edges.

Nano Anti-Reflective Coating II Enhances ClarityA new Nano Anti-Reflective Coating II has been developed that can be evenly applied to large lens elements or highly curved element surfaces to suppress internal reflections and minimize flare and ghosting for clear crisp imagery.

Despite the lens wide angle of view Nano Anti-Reflective Coating II maintains high clarity and contrast throughout the entire image even in difficult light. XD Linear MotorsThe FE 12-24mm f/2. 8 GM employs four high-speed high-thrust XD (Extreme Dynamic) Linear Motors two for each of the lens focus groups for fast precise continuous autofocus and tracking.

Operation is also quiet with minimal vibration making it ideal for movie capture. Three ED (Extra-low Dispersion) glass elements that reduce chromatic aberration plus two Super ED glass elements This coating is evenly applied to large lens elements or highly curved element surfaces to suppress internal reflections The FE 12-24mm f/2.

8 GM employs four high-speed high-thrust XD (Extreme Dynamic) Linear Motors A floating focus mechanism that divides the lens focus group into two independently controllable groups Sony FE 12-24mm f/2.

8 G Master Full-Frame Ultra-Wide Zoom Lens (Black) Zoom Black Condition: New Lens Mount Compatibility: Sony Camera Lens Focal Length: 12-24mm Camera Lens Maximum Aperture: f/2. 8 Camera Mount and Sensor Compatability: N/A Included Items: Sony FE 12-24mm f/2.

8 G Master Full-Frame Ultra-Wide Zoom Lens (Black) Dimensions: 9. 1 inches (H) x 9. 1 inches (W) x 9. 1 inches (L) Weight: 1. 0 ounces Made in United States.