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Best Lens For Sports Videography (2024 Updated)

If you’re looking for high-quality sports footage for your next video project, having the right lens is essential. However, with so many different options out there, it can be challenging to know which one is the best fit for your needs. Here are some factors to consider before investing in a lens for sports videography.

First, think about your shooting environment. Are you filming indoors or outdoors, and what kind of lighting will you have? Consider the size of the space you’ll be filming in, as well as the distance between you and your subjects. These factors will influence the focal length and aperture you need for optimal results.

Next, consider what kind of sports you’ll be filming. Different sports require different approaches, so you’ll want a lens that can keep up with the action. Think about the speed of your subjects, as well as the level of detail you want to capture. A lens with fast autofocus and image stabilization can help you get the best shots.

If you’re a sports videography enthusiast, you’ve likely got a lot of questions about lenses. Which focal length is best for sports? What’s the difference between a prime and zoom lens? Is a telephoto lens necessary for shooting sports? Keep reading to find out the answers to these questions and more. Whether you’re shooting local high school games or international competitions, the right lens can make all the difference in bringing your footage to life.

10 Best Lens For Sports Videography

# Product Image Product Name Product Notes Check Price
1
Ideal for capturing distant subjects with high image quality, suitable for wildlife and sports photography.
2
The product is ideal for photography enthusiasts who want a versatile and high-quality zoom lens with a wide aperture.
3
This product is ideal for professional photographers who want a high-quality zoom lens with a wide aperture.
4
The product is ideal for capturing distant subjects in sharp detail with versatility and high-performance autofocus.
5
Ideal for capturing sharp and detailed telephoto shots, suitable for photographers looking for high-quality zoom lens.
6
It is ideal for capturing high-quality action footage and photos with a waterproof camera, memory card, and handheld monopod.
7
Ideal for outdoor videography, providing natural diffusion and control over varying levels of darkness in different atmospheric conditions.
8
Ideal for carrying and protecting DSLR camera equipment during travel or outdoor activities.
9
The product is ideal for professional outdoor underwater sports such as scuba diving, with 100m depth and Type-C charging features.
10
Ideal for stabilizing DSLR and mirrorless cameras for smooth, professional-quality video and photography.
Ideal for capturing distant subjects with high image quality, suitable for wildlife and sports photography.
The product is ideal for photography enthusiasts who want a versatile and high-quality zoom lens with a wide aperture.
This product is ideal for professional photographers who want a high-quality zoom lens with a wide aperture.
The product is ideal for capturing distant subjects in sharp detail with versatility and high-performance autofocus.
Ideal for capturing sharp and detailed telephoto shots, suitable for photographers looking for high-quality zoom lens.
It is ideal for capturing high-quality action footage and photos with a waterproof camera, memory card, and handheld monopod.
Ideal for outdoor videography, providing natural diffusion and control over varying levels of darkness in different atmospheric conditions.
Ideal for carrying and protecting DSLR camera equipment during travel or outdoor activities.
The product is ideal for professional outdoor underwater sports such as scuba diving, with 100m depth and Type-C charging features.
Ideal for stabilizing DSLR and mirrorless cameras for smooth, professional-quality video and photography.

1. Canon Rf 100-500mm F4.5-7.1 L Is Usm Super-Telephoto Lens

The High Performance L-series versatile Super-Telephoto Zoom RF Lens is a top-of-the-line product that is designed to meet the needs of professional photographers. This lens is equipped with Optical Image Stabilization that provides up to 5 stops* of Shake Correction, ensuring that your images are sharp and clear even when shooting handheld.

The lens also comes with Three Image Stabilization Modes (Standard, Panning, and during exposure only) that provide creative versatility and allow you to take stunning photos in different settings. The High Speed, Smooth and Quiet Auto Focus with Dual Nano USM ensures that you capture your subject with ease and precision.

Moreover, the lens has a Minimum Focusing Distance of 3.0 ft. / 0.9 m**, which allows you to get up close and personal with your subject. This feature is particularly useful for wildlife and sports photography. The lens is compatible with Canon Full Frame Mirrorless Cameras (EOS RP, EOS R, EOS R5, EOS R6), which allows for seamless integration and optimal performance.

Overall, the High Performance L-series versatile Super-Telephoto Zoom RF Lens is a must-have for professional photographers who demand the very best in terms of image quality, versatility, and performance.

Pros

  • Optical Image Stabilization with up to 5 stops* of Shake Correction
  • Three Image Stabilization Modes (Standard, Panning, and during exposure only) for creative versatility
  • High Speed, Smooth and Quiet Auto Focus with Dual Nano USM
  • Minimum Focusing Distance of 3.0 ft. / 0.9 m** for up close and personal shots
  • Compatible with Canon Full Frame Mirrorless Cameras (EOS RP, EOS R, EOS R5, EOS R6)

2. Canon Ef 24-70mm F/2.8l Ii Usm Standard Zoom Lens

The Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens is designed for Canon APS-C cameras and provides a 38.4-112mm equivalent focal length. It has a constant maximum aperture of f/2.8 and a minimum aperture of f/22, making it ideal for low-light photography. This lens has a ring-type ultrasonic autofocus motor with full-time manual focusing, making it easy to switch between auto and manual focus. It has a 82mm filter size and a closest focusing distance of 0.38m/1.25ft. Unfortunately, this lens does not have image stabilization.

This lens has a weight of 1.7 pounds and a diagonal angle of view of 84° – 34°. The Canon EF 24-70mm f/2.8L II USM also boasts a new optical design that uses 1 Super UD lens element and 2 UD lens elements to minimize chromatic aberration in the outer area at wide angles. This design also eliminates color blurring around the edges of the subject, resulting in high-resolution and high-contrast images. Additionally, this lens uses 2 types of aspherical lenses to reduce spherical aberration and achieve high image quality across the entire screen area and throughout the full zoom range. The lens also features optimized coatings to provide exceptional color balance and minimal ghosting, as well as a fluorine coating on the front and rear lens surfaces to reduce smears and fingerprints.

The Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens also features a zoom lock lever that locks the zoom position at the wide end for safe transporting. It has a focus adjustment of inner focusing with USM and a high-speed CPU and image-optimized AF algorithms for fast autofocus. Lastly, if you purchase this product between May 1, 2016, and July 30, 2016, you can get 13 months of free damage protection from Canon as long as you register the product within 30 days of the purchase date.

Pros

  • Constant maximum aperture of f/2.8 allows for low-light photography
  • Ring-type ultrasonic autofocus motor with full-time manual focusing
  • New optical design minimizes chromatic aberration and eliminates color blurring around the edges of the subject
  • Optimized coatings provide exceptional color balance and minimal ghosting
  • Fluorine coating on the front and rear lens surfaces reduces smears and fingerprints
  • Zoom lock lever locks the zoom position at the wide end for safe transporting

Cons

  • – Does not have image stabilization

3. Canon Rf 24-70mm F2.8 L Is Usm Lens, Black

Capture stunning images with the high image quality and bright f/2.8 aperture zoom RF L lens. This lens is compatible with Canon Mirrorless Cameras (EOS RP, EOS R, EOS R5, EOS R6), making it a versatile addition to your photography kit.

The lens features optical image stabilization of up to 5 Stops of shake correction, allowing you to capture clear and sharp images even in low light conditions. The high speed, smooth and quiet autofocus with Nano USM ensures that you can capture fast-moving subjects with ease.

With a minimum focusing distance of 0.69 ft by 0.21M (wide) and 1.25 ft. by 0.38M (tele), you can get up close to your subject and capture stunning details. The lens also features a control ring for direct setting changes, giving you more control over your shots.

Pros

  • High image quality and bright f/2.8 aperture zoom RF L lens
  • Optical image stabilization of up to 5 Stops of shake correction
  • High speed, smooth and quiet autofocus with Nano USM
  • Minimum focusing distance of 0.69 ft by 0.21M (wide) and 1.25 ft. by 0.38M (tele)
  • Control ring for direct setting changes

4. Canon Rf100-400mm F5.6-8 Is Usm

The RF tele zoom lens is a compact and lightweight lens that delivers high-quality images. With a zoom range of 100-400mm, this lens is extremely versatile and can be used for a variety of shooting situations. The lens features an Optical Image Stabilizer that can provide up to 5.5 stops of shake correction, ensuring that your images are crisp and clear even in low light conditions. When paired with EOS R series cameras featuring In-Body Image Stabilizer (IBIS), the lens can provide up to 6 stops of shake correction.

The lens has a minimum focusing distance of 2.89 feet at 200mm and a maximum magnification of 0.41x at 400mm, making it perfect for capturing close-up shots of wildlife or sports. The lens also features Canon's Nano USM autofocus system, which provides high-speed, smooth, and quiet autofocus. This makes it easy to capture fast-moving subjects and ensures that your images are always sharp and in focus.

Overall, the RF tele zoom lens is an excellent choice for photographers who want a high-quality, versatile, and easy-to-use lens. Whether you're shooting wildlife, sports, or portraits, this lens will deliver excellent results every time.

Pros

  • Compact and lightweight design
  • High-quality images
  • Versatile zoom range
  • Optical Image Stabilizer with up to 5.5 stops of shake correction
  • Up to 6 stops of shake correction when paired with EOS R series cameras featuring In-Body Image Stabilizer (IBIS)
  • Minimum focusing distance of 2.89 feet at 200mm and maximum magnification of 0.41x at 400mm
  • High-speed, smooth, and quiet autofocus with Canon's Nano USM

5. Canon Rf 70-200mm F2.8 L Is Usm Lens, Telephoto Zoom Lens, 3792c002

Capture stunning images with the high image quality and bright f/2.8 aperture telephoto zoom RF L lens. This lens is specifically designed for Canon Full Frame Mirrorless Cameras, including EOS RP, EOS R, EOS R5, and EOS R6. The lens features a compact and lightweight design, making it easy to carry around for your photography needs.

The lens is equipped with optical image stabilization with up to 5 stops* of shake correction. This feature helps you capture sharp and clear images even when shooting handheld. The high-speed, smooth, and quiet autofocus system with dual Nano USM allows you to capture fast-moving subjects with ease. The minimum focusing distance of 2.3 ft. by 0.7 M lets you get up close to your subject and capture all the details.

In summary, the Canon RF 70-200mm f/2.8L IS USM Lens is a versatile and powerful lens that offers exceptional image quality, fast autofocus, and optical image stabilization. It is perfect for professional photographers who need a lens that can handle a wide range of shooting situations.

Pros

  • High image quality and bright f/2.8 aperture
  • Compact and lightweight design
  • Optical image stabilization with up to 5 stops* of shake correction
  • High-speed, smooth, and quiet autofocus system with dual Nano USM
  • Minimum focusing distance of 2.3 ft. by 0.7 M
  • Compatible with Canon Full Frame Mirrorless Cameras (EOS RP, EOS R, EOS R5, EOS R6)

6. Waterproof Pocket Action Camera Bundle

The Insta360 ONE X2 is a pocket camera that allows users to shoot in every direction with super 5.7K 360 capture and then choose their favorite angle later. With the Steady Cam mode, users can pick just one lens for ultra-stable wide-angle footage. The camera also features the FlowState stabilization and horizon leveling algorithms that keep shots steady without the need for a gimbal. Using the Invisible Selfie Stick, users can capture easy drone-like angles and third-person perspectives with the flick of a wrist. The stick disappears in the edit, giving a seamless experience. The Insta360 ONE X2 is waterproof up to 10 meters (33ft) with an IPX8 rating, making it perfect for use in rainstorms, pools, and other water activities. Additionally, users can grab the Dive Case for seamless underwater stitching down to 45 meters.

Pros

  • Super 5.7K 360 capture
  • Steady Cam mode for ultra-stable wide-angle footage
  • FlowState stabilization and horizon leveling algorithms
  • Invisible Selfie Stick for easy drone-like angles and third-person perspectives
  • IPX8 waterproof rating up to 10 meters (33ft)
  • Seamless underwater stitching down to 45 meters with the Dive Case

7. Polarpro Mistmaster: Creative Filters For Videography

Add a touch of magic to your images with the BaseCamp Mist Heavy Filter. Designed to be used with Stage 2 and Stage 3 kits, this filter produces a dreamy, smooth, and angelic effect that enhances the production value of your photos. The filter has a broadcasting power of 1/5, which ensures that your images have just the right amount of mist.

This filter is made from high-quality materials and is durable, ensuring that it will last for years to come. The package weight of the filter is 224.0 grams, making it lightweight and easy to carry with you on the go. Whether you're a professional photographer or just starting, the BaseCamp Mist Heavy Filter is an excellent addition to your photography arsenal.

Pros

  • Enhances production value of photos
  • Produces dreamy, smooth, and angelic effect
  • Durable and made from high-quality materials
  • Lightweight and easy to carry

8. Thule Aspect Dslr Camera Bag Backpack, Black

The padded storage of this backpack is customizable to fit a DSLR camera and a DJI Mavic Pro, as well as other drones with dimensions of up to 260mm x 240mm x 130mm. Not only that, it also has enough space to protect a laptop of up to 15.6 inches and an iPad in the back compartment. You can store your personal belongings in the roomy compartment with multiple pockets. Carrying this backpack is comfortable thanks to the removable, padded hip belt, shoulder straps and air-mesh back panel. If you want to streamline your load, you can easily remove the detachable hip belt.

This backpack is perfect for photographers and drone enthusiasts who need to transport their equipment safely and comfortably. With its customizable padded storage, it can accommodate different types and sizes of drones. The backpack also provides ample space for other essential items such as laptops, tablets, and personal belongings. The removable hip belt and shoulder straps make it easy to adjust and carry the backpack according to your preference.

With its versatile design and durable construction, this backpack is a great investment for anyone who wants to protect their valuable equipment from damage and transport it with ease. Whether you're traveling to a remote location for a shoot or simply commuting to work, this backpack has got you covered.

Pros

  • Customizable padded storage for DSLR camera and DJI Mavic Pro
  • Protects up to a 15.6 inch laptop plus an iPad in back compartment
  • Roomy compartment with multiple pockets for personal gear
  • Removable, padded hip belt, shoulder straps and air-mesh back panel for comfortable carrying
  • Detachable hip belt for streamlining load

9. Letonpower Underwater Dive Light – 2000 Lumens

The Submariner-16 Dive Light is an excellent tool for scuba diving, cave exploration, and other underwater sports. With a high output of 2000Lumens, this underwater flashlight is incredibly bright and can last up to three hours. It is also capable of underwater waterproofing at 100m, providing excellent illumination for your diving experience.

This diving gear is strong and durable, with a high-strength shell that can resist saltwater corrosion and anti-abrasion coating. Additionally, it has a 1.5m anti-drop ability, making it ideal for use in the toughest environments.

The Type-C charging compatibility and power indicator light make charging the battery easy and intuitive. Additionally, the feeder warning function reminds you when it's time to recharge the battery. With its smart design, including a lock key and magnetic induction switch, you can dive with confidence, knowing that you won't accidentally switch off or experience water leakage.

Experience the hidden world underwater with confidence by getting your Submariner-16 Dive Light today.

Pros

  • High output of 2000Lumens
  • Underwater waterproofing of up to 100m
  • Strong and durable with high-strength shell and anti-abrasion coating
  • Convenient Type-C charging compatibility and power indicator light
  • Smart design with lock key and magnetic induction switch

10. Steadyshot: Dji Ronin-S Gimbal Stabilizer (Renewed)

The Ronin-S stabilizer is designed to help you create professional and smooth videos and camera shots with ease, even when you're on the move. It features an easy-to-control Focus Wheel that allows you to hold it in one hand, so you can focus better on your subject. The SmoothTrack technology of the Ronin-S stabilizer lets you transfer from motion to camera angle with just one hand, making it easy to switch between three user profiles with a simple click.

This stabilizer is compatible with most DSLR and mirrorless cameras, including the Sony A7 series, Canon 5D/6D/7D/60D/70D/80D series, Nikon D5/3/850/750/700/5000 series/7000 series, Panasonic GH5/GH5s and more. It comes with a Camera Mounting Plate, Focus Wheel, RSS IR Control Cable, Multi-Camera Control Cable (Type-C & Type-B), Lens Support, Camera Riser, Extended Grip / Tripod, USB-C Cable, Power Adapter, Accessories Box, Allen Wrench, and Storage Case so you have everything you need to get started.

Whether you're a professional videographer or an amateur filmmaker, the Ronin-S stabilizer is a must-have accessory for anyone looking to take their videos to the next level. With its easy-to-use controls and advanced features, you'll be able to create stunning videos that are smooth, stable, and professional-looking.

Pros

  • Easy-to-control Focus Wheel for better subject focus
  • SmoothTrack technology for seamless motion to camera angle transfer
  • Compatible with most DSLR and mirrorless cameras
  • Comes with a complete set of accessories for convenience
  • Ideal for professional videographers and amateur filmmakers

Cons

  • – May be expensive for some users

Best Lens For Sports Videography FAQs

Are there any specific brands or models of lenses that are particularly suited for sports videography?

Yes, there are specific brands and models of lenses that are particularly suited for sports videography. When it comes to capturing sports action, you need a lens that is fast, sharp, and has a long focal length. Some of the most popular brands for sports videography include Canon, Nikon, Sony, and Sigma.

Canon offers a range of lenses that are perfect for sports videography, including the EF 70-200mm f/2.8L IS II USM and the EF 100-400mm f/4.5-5.6L IS II USM. Nikon also has a range of lenses that are ideal for sports videography, such as the AF-S NIKKOR 70-200mm f/2.8E FL ED VR and the AF-S NIKKOR 200-500mm f/5.6E ED VR.

Sony offers some excellent options for sports videography as well, including the FE 70-200mm f/2.8 GM OSS and the FE 100-400mm f/4.5-5.6 GM OSS. Finally, Sigma is known for its high-quality lenses, and its Sports line includes options like the 70-200mm f/2.8 DG OS HSM and the 150-600mm f/5-6.3 DG OS HSM.

Ultimately, the best lens for sports videography will depend on your specific needs and preferences. Consider factors like focal length, aperture, and image stabilization when selecting a lens for capturing sports action.

Can I use a zoom lens for sports videography or should I use prime lenses?

When it comes to sports videography, the choice between using a zoom lens or a prime lens can be a daunting one. Both types of lenses have their own unique advantages and disadvantages, and the decision ultimately depends on your personal preference and shooting style.

Zoom lenses offer the convenience of being able to adjust your focal length on the fly, allowing you to quickly zoom in and out without having to switch lenses. This can be especially useful when shooting sports, as you may need to quickly adjust your shot to follow the action. However, zoom lenses can be heavier and bulkier than prime lenses, and may not offer the same level of image quality or sharpness.

On the other hand, prime lenses are typically lighter and more compact than zoom lenses, and can offer superior image quality and sharpness. However, they require you to physically move closer or further away from your subject in order to adjust your framing, which can be a challenge when shooting sports.

Ultimately, the choice between using a zoom lens or a prime lens for sports videography depends on your shooting style and personal preferences. Both types of lenses have their own unique advantages and disadvantages, and it's up to you to decide which one is best suited for your needs.

How do I choose the right focal length for sports videography?

When it comes to sports videography, choosing the right focal length is crucial to capturing the action effectively. The focal length determines the angle of view, magnification, and depth of field of the lens, all of which play a significant role in producing high-quality sports videos.

Generally, for sports videography, a telephoto lens with a focal length between 70mm and 200mm is recommended. This allows you to zoom in on the action and capture the details without getting too close to the subject. It also helps to isolate the subject from the background, giving the video a professional and polished look.

However, the right focal length also depends on the type of sport you are filming. For example, if you are shooting a football game, a focal length of 200mm or more may be needed to capture close-up shots of players. On the other hand, if you are filming a wide-angle sport like basketball or hockey, a focal length between 50mm and 70mm may be more appropriate.

Ultimately, the best way to choose the right focal length for sports videography is to experiment with different lenses and settings until you find the perfect combination that produces the desired result.

What are the best lenses for sports videography?

When it comes to sports videography, capturing the action clearly and accurately is crucial. Therefore, selecting the right lenses is essential to produce high-quality footage. Generally, lenses with fast autofocus, high shutter speed, and image stabilization are ideal for sports videography.

The best lenses for sports videography are those that have a wide aperture, allowing you to capture the action in low light conditions. Additionally, lenses with a long focal length are ideal for capturing distant shots. For instance, a telephoto lens with a focal length of 70-200mm is an excellent choice for sports videography.

Another important factor to consider is the image stabilization feature. This feature helps to reduce camera shake and ensures that the footage is steady, even when you're moving around.

In conclusion, choosing the right lenses for sports videography depends on the specific requirements of the shoot. However, lenses that offer fast autofocus, image stabilization, and a wide aperture are essential to capture the action clearly and accurately.

What features should I look for in a lens for sports videography?

When it comes to sports videography, the right lens can make all the difference in capturing high-quality footage. There are several features to consider when choosing a lens for this purpose.

Firstly, a lens with a fast maximum aperture is key. This allows for more light to enter the lens, resulting in sharper and more detailed footage, even in low light conditions. Look for a lens with an aperture of f/2.8 or wider.

Secondly, a lens with a long focal length is ideal for capturing distant action. A telephoto lens with a focal length of at least 200mm is recommended, although some sports may require even longer focal lengths.

Thirdly, image stabilization technology is crucial in sports videography. This helps to reduce shaky footage and produce smoother and more stable shots. Look for lenses with optical image stabilization or built-in stabilization.

Lastly, durability is important, as sports videography can be physically demanding. Choose a lens with a sturdy construction that can withstand the rigors of outdoor shooting.

Overall, a lens with a fast aperture, long focal length, image stabilization technology, and durable construction is essential for successful sports videography.

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