20 Best Lens For Sony A6000 (2023 Updated)

The world’s smallest, lightest ultra-wide-angle constant F4 APS-C power zoom lens combines outstanding mobility and image quality with the creative opportunities that only wide field of view and power zoom can provide.

Internal zoom and focus allows for the lens to maintain its length when focusing or zooming, providing a stable center of gravity that is ideal for vlogging or gimbal-mounted shooting Expand your possibilities for visual expression with the power zoom system, making it easy to execute super-slow constant-speed zooms and perform other operations that are difficult with manual zoom.

Power zoom minimizes camera shake that can occur when operating a zoom ring so that even solo shooters can produce smooth, stable movie sequences. Two linear motors ensure fast, quiet, low vibration autofocus that can smoothly track subjects when shooting high frame rate movies and reliably follow fast-moving subjects when shooting stills continuously at high speed.

Focus is especially critical when shooting rate 4K or 8K movies, which this lens handles with ease. Advanced lens technology reduces focus breathing as well as focus and axial shift when zooming so that high quality images and movies can be easily captured.

This lens also supports the breathing compensation function provided by compatible alpha cameras, further reducing unwanted angle of view shifts during focusing for smooth, high-quality movie footage.

A compact design with superb optics and a power zoom function makes the Sony PZ 16-35mm f/4 G an ideal choice for all types of creators, whether that means you shoot video, stills, or both. This ultra-wide lens is among the lightest in its class and the constant f/4 aperture strikes an ideal balance that is bright enough for available-light shooting while remaining portable for all-day shoots.

An ideal portrait-length prime, the FE 85mm f/1. 8 from Sony is a sleek short-telephoto lens designed for full-frame E-mount mirrorless cameras. The bright f/1. 8 maximum aperture benefits this lens’s use in low-light conditions and also affords extensive control over depth of field when working with selective focus techniques.

The nine elements, eight groups lens construction includes one extra-low dispersion element to minimize chromatic aberrations and color fringing for greater clarity and color accuracy. Benefitting the optical design is a simple, intuitive physical layout that incorporates a customizable focus hold button and a physical AF/MF switch.

The double linear AF motor itself affords quick, quiet, and smooth focusing performance, and this motor also offers snappy manual focus performance for fine-tuned control. Finally, the lens is designed to be dust- and moisture-resistant for increased protection.

Prime portrait-length lens is designed for full-frame Sony E-mount mirrorless cameras, however can also be used on APS-C models where it will provide a 127. 5mm equivalent focal length. Bright f/1. 8 maximum aperture allows for fine-tuned control over depth of field and also benefits working in difficult lighting conditions.

One extra-low dispersion element is featured in the optical design and helps to limit color fringing and chromatic aberrations for heightened image clarity and color accuracy. Double linear autofocus motor delivers smooth, precise, and near silent focusing performance to benefit both stills and video applications.

The focus hold button on the lens barrel can be used to hold the focusing position, or can be set in-camera to control a variety of additional lens functions. Also, the lens has an AF/MF switch for tactile control over the focus mode.

Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. Dust- and moisture-resistant design for increased protection to the elements.

Compact & Portable: Full metal body, this lens is compact and portable. the 60mm F2. 8 II is smaller in size(60mm in diameter, 74. 5mm in length) and lighter(only 399g) in weight compares with the first generation.

APS-C-format Lens: Short telephoto prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 90mm equivalent focal length, which is very ideal for macro shooting, such as insect photography.

11 Elements in 8 Groups & Ideal Aperture: Its optical system consists of 11 elements in 8 groups. Bright f/2. 8 maximum aperture suits working in a variety of lighting conditions and also contributes to the sleek form factor.

A 9-blade diaphragm contributes to a smooth and pleasing bokeh quality. 1:1 Magnification, Manual Focus: Life-size 1:1 maximum magnification pairs with a 17. 5cm minimum focusing distance to suit working with close-up subjects.

Manual focus design, along with focus distance and depth of field scales, aids in precise focusing control. De-clicked Aperture Ring: The de-clicked aperture ring offers smooth, silent rotation throughout the aperture range, making it ideal for close-range video applications and shooting.

Compatibility: FS7, FS7M2, FS5, FS5M2K, A7, A7II, A7R, A7RII, A7S, A7SII, A7III, A7RIII, A3000, A6500, A6300, A6400, A6000, A5100, A5000 NEX-3, NEX-3N, NEX-3R, NEX-C3, NEX-F3K, NEX-5K, NEX-5, NEX-6, NEX-7, NEX-5N, NEX-5A, NEX-5T, NEX-5C, NEX-5R Kindly Note: 1.

Full-frame cameras like Sony A7/A7R/A7RII/A7S/A7SII/ A7III/A7RIII can use this lens after setting up the APS-C mode. 2. The manual focus lens can’t be recognized by the camera unless coming with the camera setting “release without lens”.

Specification: Focal Length: 60mm (35mm Equivalent Focal Length: 90mm) Maximum Aperture: f/2. 8 Minimum Aperture: f/22 Lens Mount: E-mount Format Compatibility: APS-C Angle of View: 26. 4° Minimum Focus Distance: 17.

5cm Optical Design: 11 Elements in 8 Groups Diaphragm Blades: 9 Aperture Ring: DE-clicked Focusing method: Manual Focus Type: Manual Focus Image Stabilization: None Filter diameter: 39mm Weight: 339g What is included: 1* 7artisans 60mm f/2.

8 Macro Lens 1* Front Lens Caps 1* Rear Lens Caps 1* Pergear Lens Cloth 1* Focusing wrench 1* Pergear Lens Bag.

Explore the world in wide-angle detail G Master performance in a wide-angle F2. 8 16-35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required.

A compact, lightweight design makes it manageable for active shooting. High corner-to-corner resolution Uncompromised optical design achieves extremely high corner-to-corner resolution and contrast for landscape, architecture, and other expansive subjects.

Gorgeous background bokeh Shoot close at F2. 8 to capture sharp subjects with dynamic, painterly backgrounds consisting of delightfully smooth bokeh. A perfect balance of resolution and bokeh An advanced optical design that includes two Sony XA (extreme aspherical) elements achieves outstanding resolution, low distortion, and smooth, beautiful bokeh.

Light and compact for high mobility Class-leading size and weight reductions make this 680-gram lens an ideal match for compact E-mount bodies, providing an eminently portable, easily manageable system.

Compatibility: Sony full-frame E-mount Mirrorless Cameras SEL1635GM.

This incredibly compact and lightweight ultra-wide-angle 11mm APS-C prime offers dynamic perspectives, outstanding image quality, large F1. 8 aperture as well as fast, precise, quiet AF ideal for still and video content creators.

The small size and low weight of the lens makes it a perfect match for compact APS-C as well as Super35 E-mount cameras. Also thanks to a refined internal focus mechanism, the lens’s length remains constant while focusing for ideal balance and handling.

You can move in close to the subject, right down to the lens’s minimum focusing distance, and shoot movies or stills without being restricted by changing lens length. An 11 mm field of view and large F1.

8 aperture make it easy to shoot subjects against sweeping background with beautiful bokeh. That also makes this lens ideal for vlogging as the wide field of view helps capture all of the scene even when the camera is held at arm’s length.

State-of-the-art lens technology packed into this remarkable large-aperture ultra-wide lens reduces unwanted focus breathing and angle of view shifts when focusing. It also supports the breathing compensation function in compatible alpha cameras, further reducing unwanted angle of view shifts during focusing for smooth, high-quality movie footage.

Two linear motors give this large-aperture lens impressively fast, precise autofocus and tracking performance for both stills and movies. AF and tracking are so responsive that the full speed potential of the camera in use can be fully realized so that even fast or erratically moving subjects can be reliably captured.

High performance and a compact design make the SEL-35F18 an ideal second lens? that is easy to carry around when capturing the action. Its ideal for a wide variety of photos, including snapshots while strolling, night shots (thanks to the bright maximum aperture) and portraits with superb background/foreground blur.

The Sony Sonnar T FE 55mm f1. 8 ZA Lens is a prime normal focal length lens featuring a very fast and bright f1. 8 maximum aperture to support working in dimly-lit conditions and for greater control over focus for shallow depth of field imagery.

The sophisticated Sonnar optical design enables high resolution and sharpness with optimized low-light shooting capabilities. A Carl Zeiss T anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity.

Additionally a dust- and moisture-resistant construction ensures this lens use in tough environmental conditions. This prime normal-length lens features a bright f1. 8 maximum aperture to benefit working in low-light conditions and for greater control over the plane of focus.

Carl Zeiss T anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions.

Nine-blade circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

A classic normal focal length prime lens, the FE 50mm f/2. 5 G Lens from Sony is characterized by its ultra-compact form factor. The versatile focal length suits shooting everything from street, portraiture, and documentary subjects, and it features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.

Additionally, the ultra-compact 2. 7 x 1. 8″ form factor makes it effortless to have handy at any time. The lens design includes an extra-low dispersion and aspherical elements to reduce a variety of aberrations, color fringing, and distortion.

The optics are complemented by multicoating that also suppresses flare and ghosting for improved contrast. Balancing the optics is an XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance.

The lens also sports a dust- and moisture-sealed design to support shooting in inclement conditions.

Lightweight, Compact, High-magnification zoom lens With broad zoom range extending from 18mm wide-angle to 135mm telephoto, the versatile lens covers a wide range of subjects and situations. It features compact, lightweight portability that maximizes the APS-C format E-mount advantage, as well as fast, precise, quiet AF operation that make it an excellent one-lens solution for day-to-day shooting.

7. 5x zoom in a compact, lightweight lens This lens weighs in at a mere 11. 5oz (325g), and is no larger than 67. 2mm in diameter and 88mm in length. At the telephoto end of the zoom range the focal length is 202.

5mm (35mm format equivalent), providing ample reach for general shooting as well as landscapes, wildlife, portraits, and more. High corner-to-corner resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image center right out to the edges throughout the zoom range, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration.

Built-in optical image stabilization makes it easier to shoot blur-free images handheld. Close-ups with beautiful background bokeh Minimum focusing distance is just 0. 45 m (1. 48 ft) (0. 29x max. magnification), making it easy to shoot close-ups of sweets, flowers, and wildlife that combine sharp in-focus subjects with beautiful background bokeh.

Bokeh quality is enhanced by a circular aperture design. Fast, precise, quiet AF is ideal for stills and movies A precision linear motor powers the lens’s AF system, for fast, precise, quiet operation that is ideally suited for movies as well as stills.

Cinematographer demands for anamorphic lenses have resulted in expensive options making it difficult for cinematic enthusiasts to acquire a quality product. With the introduction of the SIRUI 50mm F1.

8 Anamorphic lens, there is now a high quality, lightweight product that delivers all the unique anamorphic features at a great value. Compared to a traditional 50mm APS-C lens, the SIRUI 50mm F1. 8 anamorphic camera lens produces a cinematic 2.

4:1 widescreen video with a 33% increase of the horizontal field of view to achieve a FOV equivalent to an APS-C 37. 5mm lens. Built with Aircraft Aluminum housing and high-quality German Manufactured Schott optical glass lens elements, the F1.

8 camera lens is compact and robust yet light enough to easily create Cinematic widescreen shots. Manually adjust the focusing and light settings with precision scale marks on the comfortable focus and aperture rings.

This incredibly compact and lightweight ultra-wide-angle 11mm APS-C prime offers dynamic perspectives, corner-to-corner sharpness, naturally rendered bokeh and large F1. 8 aperture. Fast, precise, quiet AF, optical design for refined movies shooting and rugged reliability make it ideal for still and video content creators alike.

Ultra-wide-angle 11 mm large F1. 8 aperture prime for stills and movies – With an 11 mm (35mm full-frame eq: 16. 5 mm) focal length for dynamic images and a large F1. 8 aperture for deep bokeh, this 6.

5 oz. (181 g) APS-C format lens has the mobility you need to capture stunning still and movies anywhere. It also features two linear motors for fast, precise AF that supports both stills and movies. Large F1.

8 maximum aperture for deep, naturally rendered bokeh – A large F1. 8 max. aperture delivers expressive, naturally rendered bokeh in deep, impressive images. 0. 4 ft (0. 12 m) minimum focus and 0. 2x magnification let you get close to the subject while producing beautifully defocused backgrounds.

Precisely controlled spherical aberration and a 7-blade circular aperture contribute significantly to the lens’s sensational bokeh. High resolution throughout an ultra-wide field of view – Innovative optics deliver high resolution right out to the image edges.

Optimal placement of three aspherical elements ideally correct field curvature for excellent resolution throughout the image area. Three ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration and color fringing for superb image quality.

Compact and lightweight for extraordinary shooting freedom – This compact, lightweight lens is a perfect match for E-mount APS-C as well as Super35 cameras, providing easy handling that is great for long handheld or grip-mounted shooting sessions.

Spherical and aspherical elements combine to achieve stunning optical performance in a lens that is only 2-5/8 x 2-3/8 (66 x 57. 5 mm) and weighs only 6. 4 oz. (181 g). Advanced autofocus maximizes the camera’s speed potential – Two linear motors give this large-aperture lens impressively fast, precise autofocus and tracking performance for both stills and movies.

AF and tracking are so responsive that the full speed potential of the camera in use can be fully realized so that even fast or erratically moving subjects can be reliably captured. A versatile tool for movie shooters – An 11 mm field of view and large F1.

8 aperture make it easy to shoot subjects against sweeping background with beautiful bokeh. That also makes this lens ideal for vlogging as the wide field of view helps capture all of the scene even when the camera is held at arm’s length.

Advanced optics for refined movies with minimal breathing – State-of-the-art lens technology packed into this remarkable large-aperture ultra-wide lens reduces unwanted focus breathing and angle of view shifts when focusing.

It also supports the breathing compensation function in compatible alpha cameras, further reducing unwanted angle of view shifts during focusing for smooth, high-quality movie footage. Consistent balance and center of gravity for easy handlin – Thanks to a refined internal focus mechanism, the lens’s length remains constant while focusing for ideal balance and handling.

You can move in close to the subject, right down to the lens’s minimum focusing distance, and shoot movies or stills without being restricted by changing lens length. Natural, repeatable linear manual focus response – For professional manual focusing feel and repeatable response, Linear Response MF ensures that the focus ring responds directly and linearly to subtle manual control.

Focus ring rotation translates directly to corresponding change in focus, so control feels immediate and precise when shooting stills and movies. Dust and moisture resistant for robust reliability – Dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions.

Silicon seals around buttons and switches and a rubber gasket around the lens mount greatly reduce the likelihood of dust and moisture incursion. Aspherical and ED glass lens elements suppress spherical and chromatic aberrations – Aspherical and ED glass lens elements suppress spherical and chromatic aberrations.

Focus hold button can be customized for various functions – A customizable focus hold button is provided for easy access and convenient control in just about any shooting situation. Other functions can be assigned to the focus hold button from compatible camera’s menu.

Instant auto/manual focus selection – Instantly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you or decide to take control and manually focus on the precise point you choose.

Compatible with 55 mm threaded filters on an ultra-wide-angle lens – Despite being an ultra-wide-angle prime lens, the E 11 F1. 8 accepts standard 55 mm threaded front mounted filters – rare in a lens of this focal.

The Sony E 10-20 mm f/4.0 G OSS is an ultra-wide angle power zoom lens for Sony APS-C cameras. With this power zoom, content creators can enjoy the latest techniques.

E-Mount Lens/APS-C Format, 15-27mm (35mm Equivalent), Aperture Range: f/4 to f/22, One Super ED & Three Aspherical Elements, Optical SteadyShot Image Stabilization, Internal Focus, Minimum Focus Distance: 9.

8″, Seven-Blade Circular Diaphragm Take on ultra-wide landscapes or tight interiors with your APS-C-format E-mount camera by using the E 10-18mm f/4 OSS Lens from Sony. Delivering a super wide 15-27mm equivalent zoom range and offering a constant f/4 aperture this lens can produce high-quality images in a variety of difficult scenarios.

The implementation of one Super ED and three aspherical elements further guarantees image quality by minimizing aberrations throughout the range. Also the lens is equipped with Optical SteadyShot image stabilization for reducing the effects of camera shake.

Beyond these features the lens also features an internal focus design that enables fast responsive autofocus and a minimum focus distance of 9. 8. Additionally it has a seven-blade circular diaphragm for smooth bokeh.

Capture wildlife in action or create corporate videos with this Sony E PZ 18-200mm zoom lens. Ideal for movie-making, this lens fits on a range of E-mount APS-C cameras and camcorders. An 11x power zoom and integrated Optical SteadyShot technology with Active Mode make it easy to take crisp, clean video from a distance.

Enhanced with precision optics and a seven-blade circular aperture, this Sony E PZ 18-200mm zoom lens creates razor-sharp footage with gorgeous bokeh.

This compact full-frame ZEISS wide-angle zoom lens covers a 16mm to 35mm range with a constant maximum aperture of F4, enabling consistent depth of filed and exposure settings at any focal length. The high-performance optical design boasts ZEISS T* (T-star) coating for superior contrast and resolution, five aspherical elements including a large diameter AA (advanced aspherical) element with outstanding surface precision for low distortion and corner to corner sharpness.

The SEL1635Z employs Optical SteadyShot image stabilization, Silent AF and iris (aperture) drive important for movie capture and a 7-blade circular aperture for beautiful defocused backgrounds. Ideal for Full-Frame and APS-C E-mount cameras.

Size: One Size. Color: Black.

The Sigma 30mm 1. 4 DC DN Contemporary is a high performance prime with a large aperture of F1. 4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. The Contemporary line is part of Sigma Global Vision and is the perfect blend of image quality and compact size.

The large aperture is great forlowlight and for creating depth of field and its small size makes it highly portable. A stepping motor provides fast and accurate autofocus and is highly useful for video work.

La distance focale standard de 40 mm fait du Zeiss Batis 40 mm f/2. 0 CF Sony FE un objectif polyvalent. Vous l’utilisez pour photographier une variété de sujets, des paysages aux portraits. Vous pouvez faire une mise au point à une distance de 24 centimètres, ce qui vous permet de photographier des produits ou des personnes de près.

En combinaison avec l’ouverture f/2. 0, vous pouvez créer un flou d’arrière-plan naturel de sorte que votre sujet se détache de l’arrière-plan. L’objectif est doté d’un revêtement antireflet T* qui empêche le flare et les images fantômes.

Grâce à sa conception résistante à la poussière et aux éclaboussures, vous pouvez prendre des photos dans diverses conditions météorologiques ou à différents endroits. Vous n’aurez ainsi pas à craindre les pulvérisations d’une cascade par exemple.

Oshiro is proud to finally offer the award winning 35mm in a direct Sony E-Mount. This is a manual focus lens. You can only use the lens in “M” manual exposure mode or “A” aperture-priority mode. A fast prime, Oshiro’s 35mm f/2 is a manual focus lens designed for full-frame and APS-C-sized Sony mirrorless cameras.

Oshiro’s 35mm prime offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal on the all-metal mount and barrel. Low dispersion glass offers superior sharpness and color correction by minimizing chromatic aberration.

The lens is built with 7 elements in 5 groups with Oshiro’s patented optical structure to provide image clarity and color. The f/2 maximum aperture complements working in difficult lighting and also affords greater control over depth of field for selective focus applications.

Ultra nano crystal multi-coating eliminates lens element reflections and reduces ghost and flare.

Ce super téléobjectif 200-600 mm possède la qualité des objectifs Sony G, un effet bokeh incroyable, et un autofocus exceptionnel. Sa conception optique assure une superbe résolution sur toute la plage focale.

Le revêtement antireflet Nano de Sony élimine les reflets et l’effet ” fantôme “. La conception optique originale, composée de cinq lentilles en verre ED et d’une lentille asphérique, assure une résolution superbe et une qualité d’image exceptionnelle sur l’ensemble de la plage de focale.

L’élément asphérique élimine l’aberration sphérique et les distorsions. Les lentilles en verre ED réduisent quant à elles l’aberration chromatique qui peut poser problème à des distances focales de super téléobjectifs.

Une fixation amovible permet de fixer ou retirer rapidement l’appareil à un trépied afin que l’utilisateur puisse facilement passer d’un mode de prise de vue à l’autre. La fixation peut également être retirée afin de faciliter le transport et le stockage.

Un mécanisme de verrouillage empêche tout retrait accidentel.